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| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
May 10, 2018 | Christie's | New York | The Collection of Peggy and David Rockefeller: Fine Art, | 522 | $****** - ****** | Le grenier de la Grangette à Valvins | |||
Nov 18, 1986 | Sotheby's | New York | N/A | 28 | Estimates not disclosed | La Mansarde |
paintings
45.8 x 65.7 cm (18.03 x 25.87 in)
oil on board laid down on cradled panel
signed and dated 'Vuillard 97' (upper right)
Ambroise Vollard, Paris (acquired from the artist, circa 1899).
M. Schmoll, Paris.
Fritz Nathan, St. Gallen (by 1946).
Dr. Christoph Bernouilli, Basel.
Jacques Seligmann & Co., Inc., New York (October 1947).
Samuel H. Maslon, Minneapolis (January 1956).
E.V. Thaw & Co., Inc., New York.
Arthur Tooth & Sons, Ltd., London.
B.E. Bensinger, Chicago (1966).
William Kennedy, New York.
H. Wendell Cherry, Kentucky (by 1971).
Maurice Sternberg, Chicago.
Jack S. Josey, Houston (by 1982).
Anon. sale, Sotheby's, New York, 18 November 1986, lot 28.
Acquired at the above sale by the late owners.
Kunsthalle Bern, Edouard Vuillard, Alexander Müllegg, June-July 1946, no. 69 (titled Mansarde).
The Cleveland Museum of Art and New York, The Museum of Modern Art, Edouard Vuillard, January-June 1954, pp. 16 and 102 (illustrated in color, pl. 45; titled Room Under the Eaves).
The Detroit Institute of Arts, The Two Sides of The Medal, French Painting from Gérôme to Gauguin, 1954, p. 60, no. 136 (titled The Attic Studio).
The Minneapolis Institute of Arts, 1956 (on loan).
The Minneapolis Institute of Arts, Drawings, Paintings & Sculpture from Three Private Collections, July-August 1960, no. 119 (titled Room Under the Eaves).
London, Arthur Tooth & Sons, Ltd., Paris-Londres, April-May 1966, no. 23 (illustrated; titled La Mansarde).
The Art Institute of Chicago, Masterpieces from Private Collections in Chicago, July-August 1969 (titled The Mansard (M. and Mme Nathanson)).
Toronto, Art Gallery of Ontario; San Francisco, California Palace of the Legion of Honor and The Art Institute of Chicago, Edouard Vuillard, September 1971-March 1972, p. 230, no. 43 (illustrated).
Amarillo Art Center, Early French Moderns, The Genesis of The Modern Era, August-November 1982, no. 26 (illustrated in color; dated 1892 and titled Room Under the Eaves).
Washington D.C., National Gallery of Art; Paris, Grand Palais and London, Royal Academy of Arts, Edouard Vuillard, January 2003-April 2004, p. 213, no. 145 (illustrated in color, pp. 214-215; dated 1896).
A. Gold and R. Fizdale, The Life of Misia Sert, New York, 1980, p. 58 (titled Room Under the Eaves).
A. Georges, Symbolisme et décor, Vuillard, 1888-1905, Ph.D. Diss., Panthéon Sorbonne, Paris, 1982, p. 154.
S. Preston, Edouard Vuillard, New York, 1985, p. 72 (illustrated in color, p. 73; titled Room Under the Eaves).
P. Ciaffa, The Portraits of Edouard Vuillard, Ph.D. Diss., Columbia University, New York, 1985, pp. 252-253 (illustrated fig. 118).
D. Mahon, The Yellow Book, Winston-Salem, 1998 (detail illustrated in color on the cover; titled Chambre Sous L'Avant-Toit).
A. Salomon and G. Cogeval, Vuillard, Le regard innombrable, Catalogue critique des peintures et pastels, Paris, 2003, vol. I, p. 466, no. VI-12 (illustrated in color; dated 1896).
signed and dated 'Vuillard 97' (upper right)
oil on board laid down on cradled panel
18 x 25 7/8 in. (45.8 x 65.7 cm.)
Painted in 1897
