O. Baddeley and V. Fraser, Drawing the Line, Art and Cultural Identity in Contemporary Latin America, London and New York, Verso Edition, 1984, no. 15 (illustrated in color).
R. del Naranco, "Armando Morales entre amarillos violentos y ocres evocadores," Elite, Caracas, 1 April 1986, vol. IX, no. 3152, p. 76 (illustrated in color).
X. Xiaosheng, "Armando Morales pintor nicaragüense: Una conversación con Morales," Shijiemeishu, Beijing, 1986 (illustrated in color).
D. Altamirano, "Armando Morales, das Nicaraguanische und das Universale" and R. del Naranco, "Ich bin ein sandinist von herzen," Bildende Kunst, Berlin, 1987, no. 4, p. 1 (illustrated in color).
D. Craven, "Armando Morales," Latin American Art, New York, 1989, vol. 1, no. 2, p. 49 (illustrated in color).
D.Romeo Keith, "Neofiguración latinoamericana," Mira, Mexico, 25 July 1990, no. 24 (illustrated in color).
A. Leal, "Toca a los artistas de Nicaragua mostrar que la mejor expresión se da con la revolución," UnoMásUno, Mexico, D.F., 12 July 1990 (illustrated in color).
L. Kassner, Morales, Banco Central de Nicaragua Américo Arte Ediciones, 1995, p. 165, no. 139 (illustrated in color).
X. Xiaosheng, Morales, Beijing, Art Edition Jiangxi, 1995, p. 25 (illustrated in color).
A. J. Cruz Porras and L. Carrión, "El regimen Sandinista," Cultura de Paz, Managua, April-June 1996, vol. 2, no. 8, p. 31 (illustrated).
D. Torres, "Una aclaración necesaria," El País, Nicaragua, 1997, no. 37, p. 75 (illustrated in color).
L. L. Elizondo, "Armando Morales rescatando la luz interior," Resumen, Pintores y pintura latinoamericana, Mexico, May-June 2003, vol. 8, no. 63, p. 23 (illustrated in color).
Crítica de arte, Colección Cultural de Centro América, Serie Pablo Antonio Cuadra, April 2005, no. 9, p. 168, fig. 47 (illustrated).
C. Loewer, Armando Morales: Monograph & Catalogue Raisonné, Volume II 1984-1993, Vaumarcus, ArtAcatos, 2010, p. 141, no. 1985.4 (illustrated in color).
R. Tibol and C. Loewer, Armandos Morales, Monograph and Catalogue Raisonné 1974-2004, Vol. II 1984-1993, Manchester, Vermont, Hudson Hills, 2011, p. 140 (illustrated in color).