Top-100 artists:
We use our proprietary AI - LiveArt Estimate™ to calculate current market value for each artwork. Based on this data LiveArt is able to provide numerous insights into artist and artwork financial performance, including:
See the measure of artist investment performance relative to risk. A higher ratio suggests better risk-adjusted returns, indicating more consistent performance with less risk.
Explore the most prolific periods in an artist's career based on artwork production volume and current market value. It also segments these periods by category, offering insights into when the most valuable pieces were created in each category.
Free to sign up. No credit card required.
| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Dec 12, 2019 | Sotheby's | New York | Dreaming in Glass: Masterworks by Tiffany Studios | 411 | $****** - ****** | AN IMPORTANT "DRAGONFLY" TABLE LAMP |
design
74.3 cm (29.25 in)
with a telescoping reticulated "Queen Anne"s Lace" base, leaded glass, patinated bronze
shade impressed TIFFANY STUDIOS NEW YORK 1507-8; base impressed TIFFANY STUDIOS twice
Christie"s New York, March 16, 1991, lot 199
Dr. Egon Neustadt, The Lamps of Tiffany, New York, 1970, pp. 171-178 (for the shade) and 179 (for a variant of the shade and the base)
Alastair Duncan, Tiffany At Auction , New York, 1981, p. 93, no. 248 (for the shade and base pairing); p. 102, no. 278 and p. 122, no. 330 (for the shade)
William Feldstein, Jr. and Alastair Duncan, The Lamps of Tiffany Studios , New York, 1983, pp. 103 and 169 (for the shade); p. 125 (for a variant of the shade)
Alastair Duncan, Fin de Siècle Masterpieces from the Silverman Collection , New York, 1989, p. 29 (for the shade)
Robert Koch, Louis C. Tiffany"s Glass, Bronzes, Lamps: A Complete Collector"s Guide , New York, 1989, p. 128 (for a variant of the shade and the base)
Takeo Horiuchi, ed., The World of Louis Comfort Tiffany: A Selection from the Anchorman Collection , Nagoya, Japan, 1994, p. 72 (for the shade)
Robert Koch, Louis C. Tiffany: The Collected Works of Robert Koch , Atglen, PA, 2001, p. 240 (for a variant of the shade and the base)
Alastair Duncan, Louis C. Tiffany: The Garden Museum Collection , Woodbridge, Suffolk, 2004, p. 305 (for the shade)
Martin Eidelberg, Alice Cooney Frelinghuysen, Nancy A. McClelland and Lars Rachen, The Lamps of Louis Comfort Tiffany , New York, 2005, pp. 34 and 196 (for the shade and base pairing); p. 197 (for the shade)
Marilyn A. Johnson, Louis Comfort Tiffany: Artist for the Ages , London, 2005, p. 161 (for the shade)
Alastair Duncan, Tiffany Lamps and Metalware , Woodbridge, Suffolk, 2007, p. 85, nos. 329-330 and p. 155, no. 643 (for the base); p. 156, no. 647 and p. 215, no. 847 (for the shade)
Martin Eidelberg, Nina Gray and Margaret K. Hofer, A New Light on Tiffany: Clara Driscoll and the Tiffany Girls , exh. cat., New York Historical Society, 2007, pp. 46 (for the base) and 62 (for the shade)
Margaret K. Hofer and Rebecca Klassen, The Lamps of Tiffany Studios: Nature Illuminated , New York, 2016, pp. 53 and 55 (for the shade)
Property from an Important American Collection
TIFFANY STUDIOS
AN IMPORTANT "DRAGONFLY" TABLE LAMP
circa 1910
with a telescoping reticulated "Queen Anne"s Lace" base
leaded glass, patinated bronze
shade impressed TIFFANY STUDIOS NEW YORK 1507-8
base impressed TIFFANY STUDIOS twice
29¼ in. (74.3 cm) high as shown
22 in. (55.9 cm) diameter of shade
