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| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Nov 20, 2018 | China Guardian | Beijing | Grand View: Chinese Painting Highlight•modern | 346 | $****** - ****** | Sunshine In Mountain |
Works on Paper
99.5 x 41 cm (39.17 x 16.14 in)
ink and colour on paper
Signed Binhong, dated 1951, with one artist seals
Signed Binhong, dated 1951, with one artist seals
上 款 陈邦福（1892-1982），字墨迻，江苏镇江人。精研甲骨文，与黄宾虹为制印同好，研究古玺印，常有诗文往来。着有《殷墟霾契考》、《殷墟辨疑》、《殷墟说存》等。曾为《艺观》杂志撰文，黄宾虹曰：“墨迻先生著述等身，尤嗜金石文字。”
说 明 附黄宾虹致陈定诗手札一通。
陈邦福为著名的古文字金石学家，与嗜好古文字的宾翁志趣相投，时相往来。本幅所附黄宾虹致陈定诗的一封信件中，即可见到宾翁向其讨教残拓，因“北居十年，搜周秦古玺，缘尚不薄，捡箧中存二百余枚，均有奇字，刻正董理，附以考释。”谈到其在杭州许迈孙处购得《簪花图》摹本。（许增（1824—1903），字益斋，一字迈孙，学者、藏书家。杭州人，喜勘订书籍，所校刻唐文粹精核无比，性爱书画，收藏既富。）又得学问家秀水沈景修题引首，陈锡龄、杨沂孙、宗湘文等题跋，王小梅素摹为图（王素（1794-1877）字小梅，晚号逊之，甘泉（今江苏扬州）人。幼师鲍芥田，多临华岩，凡人物、花鸟、走兽、虫鱼，无不入妙。道光初与魏小眠、王应祥并驾。其《二湘图》及《春雷起蛰图》，现在日本。）慨叹前贤雅事，况若金石同寿。
年谱记辛卯（1951）年春，黄宾虹迁居栖霞岭三十二号。得邹字旧藏秦汉古器四箱。热衷于以蜡磨拓并作集古籀文联，搜罗文物，阐发奥秘。本幅为宾虹八十八岁高龄时所作，为知己绘制，甚是精心。宾虹早年山水天真幽淡、笔墨精秀、风格峻爽，走的是疏淡清逸的路子，是师古人之典范。晚年则一改传统之习，独创“平、圆、留、重、变”五种运笔之法，并“浓、淡、破、泼、积、焦、宿”七种施墨之法的运用愈发得心应手、潇洒自如，画面厚重而深沉，浑厚华滋。本幅《湖舍初晴》笔墨秀润而结构精严，清妍秀润而意趣生动，繁密处不能容针、疏空处几可跑马，对于画面结构的调控和尺度的拿捏可谓妙到颠毫。在纸上任意纵横氤氲，呈现出时而特别湿润而浓重、时而干处发白的审美效果，入眼皆是水墨淋漓，云烟幻灭，好一派自然胜景。
