Top-100 artists:
We use our proprietary AI - LiveArt Estimate™ to calculate current market value for each artwork. Based on this data LiveArt is able to provide numerous insights into artist and artwork financial performance, including:
See the measure of artist investment performance relative to risk. A higher ratio suggests better risk-adjusted returns, indicating more consistent performance with less risk.
Explore the most prolific periods in an artist's career based on artwork production volume and current market value. It also segments these periods by category, offering insights into when the most valuable pieces were created in each category.
Free to sign up. No credit card required.
| Image | Last Sale Date | Title | Edition No. | Last Sale | Last Sale Auction House | Last Sale Location | |
|---|---|---|---|---|---|---|---|
| Nov 13, 2019 | Atlanta | 4 | Phillips | New York | |||
| Mar 8, 2013 | Atlanta | 2 | Christie's | New York | |||
| Nov 10, 2005 | Atlanta | Phillips | New York | ||||
photographs
186.1 x 255.9 cm (73.27 x 100.75 in)
chromogenic print, in artist's frame
Per Skarstedt Fine Art, New York
Acquired from the above by the present owner
Madrid, Galeria Javier Lopez, Andreas Gursky, April 23 - June 29, 1997 (another example exhibited)
London, Saatchi Gallery, Young German Artists 2, September - November 1997, n.p. (another example exhibited and illustrated)
New York, Matthew Marks Gallery, Andreas Gursky, November 15, 1997 - January 3, 1998 (another example exhibited)
Milwaukee Art Museum; Seattle, Henry Art Gallery, Faye G. Allen Center for the Visual Arts, University of Washington; Houston, Contemporary Arts Museum; Columbus Museum of Art, Andreas Gursky, February 27, 1998 - March 28, 1999, no. 5, n.p. (another example exhibited and illustrated)
Kunstmuseum Wolfsburg; Fotomuseum Winterthur; London, Serpentine Gallery; Edinburgh, Scottish National Gallery of Modern Art; Castello di Rivoli, Museo d'Arte Contemporanea; Lisbon, Centro Cultural de Belém, Andreas Gursky: Fotografien 1994-1998, May 23, 1998 - January 2, 2000, p. 8 (another example exhibited and illustrated, p. 9)
Kunsthalle Düsseldorf, Andreas Gursky: Photographs from 1984 to the Present, August 29 - October 16, 1998, no. 95, p. 19 (another example exhibited and illustrated, p. 103)
New York, The Museum of Modern Art; Paris, Centre Pompidou; Museum of Contemporary Art Chicago, Andreas Gursky, March 4, 2001 - September 28, 2002, p. 95 (another example exhibited and illustrated)
Donaueschingen, Füstenberg Sammlungen, Ahead of the 21st Century: The Pisces Collection, June 2002 - October 2004, no. 63, p. 201 (another example exhibited and illustrated, p. 88)
Regis Durand, "Distance and Emptiness", Art Press, vol. 226, Paris, July/August 1997, p. 20 (another example illustrated)
Carter Ratcliff, "The Seeing Game", Art in America, vol. 7, New York, July 1998, p. 87 (another example illustrated, p. 86)
Tema Celeste, vol. 69-70, Milan, August/September 1998, p. 61 (another example illustrated, p. 60)
Patricia Ellis, Eurovision, London, 1998, n.p. (another example illustrated)
Ansicht Aussicht Einsicht: Andreas Gursky, Candida Höfer, Axel Hütte, Thomas Ruff and Thomas Struth. Architektur Photographie, exh. cat., Museum Bochum, Dusseldorf, 2000, p. 38 (another example illustrated)
chromogenic print, in artist's frame
73 1/4 x 100 3/4 in. (186.1 x 255.9 cm.)
Executed in 1996, this work is number 4 from an edition of 6.
