Top-100 artists:
We use our proprietary AI - LiveArt Estimate™ to calculate current market value for each artwork. Based on this data LiveArt is able to provide numerous insights into artist and artwork financial performance, including:
See the measure of artist investment performance relative to risk. A higher ratio suggests better risk-adjusted returns, indicating more consistent performance with less risk.
Explore the most prolific periods in an artist's career based on artwork production volume and current market value. It also segments these periods by category, offering insights into when the most valuable pieces were created in each category.
Free to sign up. No credit card required.
| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Feb 5, 2016 | Sotheby's | London | Picasso in Private: Works from the Collection of Marina Picasso | 576 | $****** - ****** | TÊTE DE FEMME |
Works on Paper
60.1 x 43 cm (23.66 x 16.93 in)
charcoal on a page of the newspaper Paris-Soir
Estate of the artist
Marina Picasso (the artist’s granddaughter; acquired from the above)
Munich, Haus der Kunst; Cologne, Josef-Haubrich-Kunsthalle; Frankfurt, Städtische Galerie im Städelschen Kunstinstitut & Zürich, Kunsthaus, Collection Marina Picasso, 1981-82, no. 217, illustrated in the catalogue<br>Tokyo, The National Museum of Modern Art & Kyoto, Municipal Museum, Picasso, Masterpieces from the Marina Picasso Collection and from Museums in USA and USSR, 1983, no. 172, illustrated in the catalogue<br>Jerusalem, The Israel Museum, Picasso the Draughtsman, 103 Works from the Marina Picasso Collection, 1993, no. 70<br>San Francisco, Fine Arts Museum of San Francisco & New York, Solomon R. Guggenheim Museum, Picasso and the War Years, 1937-1945, 1998-99, no. 52, illustrated in the catalogue<br>Schwerin, Staatliches Museum, Pablo Picasso, Der Reiz der Fläche/The Appeal of Surface, 1999, no. 39, illustrated in the catalogue<br>Dublin, The Irish Museum of Modern Art, Picasso Working on Paper, 2000, no. 142, illustrated in colour in the catalogue<br>Barcelona, Museu Picasso, Picasso: Guerra y Paz, 2004, no. 57, illustrated in colour in the catalogue
Christian Zervos, Pablo Picasso, Paris, 1960, vol. XI, no. 290, illustrated p. 115<br>The Picasso Project (ed.), Picasso’s Paintings Watercolors Drawings & Sculpture, Nazi Occupation, 1940-1944, San Francisco, 1999, no. 41-242, illustrated p. 83
