Top-100 artists:
We use our proprietary AI - LiveArt Estimate™ to calculate current market value for each artwork. Based on this data LiveArt is able to provide numerous insights into artist and artwork financial performance, including:
See the measure of artist investment performance relative to risk. A higher ratio suggests better risk-adjusted returns, indicating more consistent performance with less risk.
Explore the most prolific periods in an artist's career based on artwork production volume and current market value. It also segments these periods by category, offering insights into when the most valuable pieces were created in each category.
Free to sign up. No credit card required.
| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
May 9, 2016 | Sotheby's | New York | Impressionist & Modern Art Evening Sale | 62 | $****** - ****** | BINDUNG (BINDING) |
paintings
69.8 x 60 cm (27.5 x 23.63 in)
Oil on canvas
Galka Scheyer, Los Angeles (acquired from the artist on consignment in 1933)
Nina Kandinsky, Paris (Acquired from the above)
Galerie Maeght, Paris (acquired by 1955)
Adrien Maeght, Paris (acquired from the above by 1977)
Sale: Christie's, London, March 28, 1988, lot 33
Acquired by the present owner circa 1990
Los Angeles Museum of History, Science and Art, The Blue Four: Feininger, Jawlensky, Kandinsky, Paul Klee, 1933, no. 102<br><br>The Oakland Art Gallery & San Francisco Museum of Art, Paintings by Wassily Kandinsky, the "Old Master" of Abstract Art, 1935<br><br>San Francisco Museum of Art, Paintings by Wassily Kandinsky: A Survey 1923 to Present, 1939<br><br>New York, Nierendorf Gallery, Kandinsky, 1941, no. 64<br><br>Paris, Galerie Maeght, Kandinsky, Derrière le Miroir, 1953, no. 37<br><br>Kunsthalle Bern, Gesamtausstellung Wassily Kandinsky, 1955, no. 74 (catalogue no. 71)<br><br>New York, Solomon R. Guggenheim Museum; The Pasadena Art Museum; San Francisco Museum of Art; The Portland Museum of Art; San Antontio, Marion Koogler McNay Institute; Colorado Springs Fine Arts Center; The Baltimore Museum of Art; The Columbus Gallery of Fine Arts; St. Louis, Washington University; Montreal Museum of Fine Arts & Worcester Art Museum, Wassily Kandinsky, A Retrospective Exhibition, 1963-64, no 48, illustrated in the catalogue (titled Connection)<br><br>Paris, Galerie Maeght, Kandinsky: Bauhaus de Dessau, 1927-1933, 1965, no. 51, illustrated in the catalogue (titled Liaison)<br><br>New York, Marlborough-Gerson Gallery, Kandinsky, The Bauhaus Years, 1966, no. 48, illustrated in the catalogue<br><br>St-Paul-de-Vence, Fondation Maeght, Centenary Exhibition, 1966, no. 77, illustrated in the catalogue<br><br>Staatliche Kunsthalle Baden-Baden, Wassily Kandinsky, Gemälde 1900-1944, 1970, no. 124, illustrated in the catalogue<br><br>Zurich, Galerie Maeght, Kandinsky, 1972, no. 36<br><br>Tokyo, The Seibu Museum of Art, Kandinsky, 1976, no. 28, illustrated in the catalogue<br><br>Munich, Haus der Kunst, Wassily Kandinsky 1866-1944, 1976-77, no. 77, illustrated in the catalogue<br><br>Madrid, Fundación Juan March, Kandinsky, 1978, no. 18, illustrated in the catalogue <br><br>
The Artist's Handlist, vol. IV, no 579<br><br>Will Grohmann, Wassily Kandinsky, Life and Work, New York, 1958, no. 579, illustrated pl. 418<br><br>Hans K. Roethel & Jean K. Benjamin, Kandinsky, Catalogue Raisonné of the Oil-Paintings, Volume Two 1916-1944, Ithaca, New York, 1984, no. 1024, illustrated p. 923
