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| Image | Last Sale Date | Title | Edition No. | Last Sale | Last Sale Auction House | Last Sale Location | |
|---|---|---|---|---|---|---|---|
| Jul 11, 2013 | Tribute Head I, II, III, IV: a Group Of Four | 4 | Sotheby's | London | |||
sculpture
72 cm (28.35 in)
bronze
each signed and numbered 4/6
Terry Dintenfass Gallery, New York, where acquired by Milton Ginsburg, 13th February 1979
London, Waddington and Tooth Galleries, Elisabeth Frink: Sculpture, Drawings, 30th November - 22nd December 1976, un-numbered, illustrated (different casts); London, Battersea Park, 1977 (details untraced); New York, Terry Dintenfass Gallery, Elisabeth Frink: Sculpture, Watercolors, Prints, 1979 (catalogue untraced); Toronto, Waddington and Shiell Galleries, Elisabeth Frink, 1979 (details untraced); Winchester, Great Courtyard, Elisabeth Frink: Sculpture in Winchester, 1981, un-numbered catalogue, one illustrated (different casts); Wakefield, Yorkshire Sculpture Park, Elisabeth Frink: Open Air Retrospective, 21st July - 14th November 1983, cat. no.12, illustrated (different casts); King's Lynn, St Margaret's Church, Elisabeth Frink: Sculpture (part of King's Lynn Festival), 1984 (catalogue untraced, different casts); London, Royal Academy of Arts, Elisabeth Frink, Sculpture and Drawings 1952-1984, 8th February - 24th March 1985, cat. no.67-70, illustrated (different casts); Washington, The National Museum for Women in the Arts, Elisabeth Frink: Sculpture and Drawings, 1950-1990, 1990, un-numbered catalogue, illustrated (different casts); Salisbury, Salisbury Library and Galleries, Elisabeth Frink: A Certain Unexpectedness, 10th May - 7th June 1997, un-numbered catalogue (different casts).
Marina Vaizey, The Sunday Times, 19th December 1976;; John Spurling, 'On The Move', New Statesman, 10th December 1976, pp.848-50;; Ann Hills, Arts Review, 10th December 1976, p.698;; Terence Mullaly, 'Bronze Heads Dominate Frink Show', The Daily Telegraph, 8th December 1976, p.13;; Roger Berthoud, 'Elisabeth Frink: A Comment on the Future', The Times, 3rd December 1976;; Brian Connell, 'Capturing the Human Spirit in Big, Bronze Men', The Times, 5th September 1977, p.5;; Hilton Kramer, 'Art: A Sculptor in Grand Tradition', The New York Times, 2nd February 1979, p.21;; 'Elisabeth Frink', Art International vol.23/2, May 1979;; C. Nicholas-White, 'Three Sculptors: Judd, Vollmer & Frink', Art World, February/March 1979;; Adele Freedman, 'Horses, Men and Sculpture in the Grand Tradition', Globe and Mail, Toronto, 8th September 1979, p.35;; Irene McManus, 'Elisabeth Frink: An Open Air Retrospective', Arts Review, 2nd September 1983, pp.10-11;; Bryan Robertson (intro.), Elisabeth Frink Sculpture, Harpvale Books, Salisbury, 1984, cat. no.219-222, illustrated p.185 (different casts);; Edward Lucie-Smith & Elisabeth Frink, Frink, A Portrait, Bloomsbury, London, 1994, illustrated p.46 (different casts);; Annette Ratuszniak (ed.), Elisabeth Frink, Catalogue Raisonné of Sculpture 1947-93, Lund Humphries in association with the Frink Estate and Beaux Arts, London, 2013, cat. no.FCR247-250, p.130 illustrated (different casts).
