Top-100 artists:
We use our proprietary AI - LiveArt Estimate™ to calculate current market value for each artwork. Based on this data LiveArt is able to provide numerous insights into artist and artwork financial performance, including:
See the measure of artist investment performance relative to risk. A higher ratio suggests better risk-adjusted returns, indicating more consistent performance with less risk.
Explore the most prolific periods in an artist's career based on artwork production volume and current market value. It also segments these periods by category, offering insights into when the most valuable pieces were created in each category.
Free to sign up. No credit card required.
| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Dec 3, 2013 | Christie's | London | Old Master & British Paintings Evening Sale | 5 | $****** - ****** | Tulips, a sunflower, an iris, hydrangeas, honeysuckle, willow catkins, carnations and other flowers in a glass vase on a marble pediment |
paintings
94.6 x 73 cm (37.24 x 28.74 in)
oil on canvas
(Probably) François Ignace de Dufresne, Conseiller en Bavière
his sale (†) Schley, Winter and Yver, Amsterdam, 22 August 1770, lot 234 (525 florins), where described as ‘un pot de fleurs & de fruits. Peint sur toile, haut de 36, large de 29 pouces. Il contient des Roses, des Tulipes, des Oeillets, des Pavots, & sur les Fleurs on voit divers Insectes. Tableau terminé & très bien peint’.Nicolaas Nieuhoff, his sale (†) Schley, Winter, and Yver, Amsterdam, 14 April 1777, lot 64 (750 guilders to Fouquet), where described as ‘Een gryze steenen tafel, op welke een glaze vles bijna vol water, waar op een venster weerschynt, in de fles staat een schooner bouquet van veelderhande bloemen en gewassen, waarop mengerhande gediertens en insectens aazen, alles is verwonderlyk schoon, zo van inventie als houding van ligt en bruin, en in de volle kragt van dezen meester geschilderd. Hoog 35, en breed 29 duim. Doek’. (A grey stone table, upon which sits a glass bottle almost full of water, in which a window is reflected, in the bottle is a beautiful bouquet of manifold flowers and plants, upon which many sorts of animals and insects are preying, all is wondrously beautiful, both in invention as in depth of light and shadow and painted in the full power of this master).with Eugene Slatter, 1947 and 1960.
London, Royal Academy of Arts, Dutch Pictures 1450-1750, Winter Exhibition, 1952-1953, no. 640.Paris, Galerie Weil, La Nature morte et son inspiration, 1960, no. 23.
I. Bergström, Studier i holländskt stillebenmaleri under 1600-talet, Göteborg, 1947, p. 306, note 33; English edition, 1956, p. 311, note 37.J.G. van Gelder, Catalogue of the Collection of Dutch and Flemish Still-Life Pictures bequeathed by Daisy Linda Ward, Oxford, 1950, p. 97, under no. 36.H. Shipp, The Dutch Masters, London, 1952, p. 121, pl. XIV.J. Hadfield, A Book of Beauty: An Anthology of Words and Pictures, London, 1952, pp. 211, 252, illustrated. M.-L. Hairs, Les peintres flamands de fleurs au XVIIe siècle, Paris and Brussels, 1955, p. 223; 2nd edition, 1965, p. 387; 3rd edition, 1985, II, p. 31.
