G. Swarzenski, "Die Sammlung Hugo Nathan" in Kunst und Kunstler: Illustrierte Monatsschrift für Kunst und Kunstgewerbe, vol. XV, no. 3, December 1916, p. 110.
A. Vollard, "Die Impressionistischen Theorien" in Kunst und Kunstler : Illustrierte Monatsschrift für Kunst und Kunstgewerbe , vol. XX, no. 9, Berlin, 1922, p. 315 (illustrated; titled "Falaises").
M. Drucker, Renoir , Paris, 1944, no. 52, p. 201 (illustrated pl. 52; titled "Falaises a Pourville").
M. Drucker, Renoir, Paris, 1949, no. 50, p. 196 (illustrated pl. 50; titled "Falaises a Pourville").
W. Gaunt, Renoir Paintings , London, 1952, pl. 46, p. 10 (illustrated; titled "Les Falaises de Pourville").
M. Drucker, Renoir, Paris, 1955, no. 50, p. 152 (illustrated pl. 50; titled "Falaises a Pourville").
E. Fezzi, L"Opera completa di Renoir, nel periodo impressionista 1869-1883 , Milan, 1972, no. 359, p. 105 (illustrated; titled "Scogliere a Pourville").
W. Gaunt & K. Adler, Renoir , Oxford, 1982, pp. 17, 18 & 30 (illustrated fig. 5; titled "The Cliffs of Pourville").
G.-P. & M. Dauberville, Renoir, Catalogue raisonné des tableaux, pastels, dessins et aquarelles , vol. I, 1858-1881, Paris, 2007, no. 150, p. 210 (illustrated).
M. Reinhard-Felice ed., Victor Chocquet: Freund und Sammler der Impressionisten, Renoir, Cezanne, Monet, Manet, Bern, 2015, no. 95, p. 211 (illustrated).