Top-100 artists:
We use our proprietary AI - LiveArt Estimate™ to calculate current market value for each artwork. Based on this data LiveArt is able to provide numerous insights into artist and artwork financial performance, including:
See the measure of artist investment performance relative to risk. A higher ratio suggests better risk-adjusted returns, indicating more consistent performance with less risk.
Explore the most prolific periods in an artist's career based on artwork production volume and current market value. It also segments these periods by category, offering insights into when the most valuable pieces were created in each category.
Free to sign up. No credit card required.
| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Feb 5, 2014 | Christie's | London | Impressionist/Modern Day Sale | 454 | $****** - ****** | Peinture (Painting) |
paintings
78.7 x 108 cm (31 x 42.5 in)
oil, casein, pebbles, tar and sand on masonite
signed Miró (lower centre); signed, dated and inscribed Joan Miró. Peinture été 1936. (on the reverse)
Pierre Matisse Gallery, New York.
Acquavella Galleries, Reno, Nevada (no. 209).
Private collection, Japan, by whom acquired from the above.
Private collection, Lisbon, by whom acquired from the above in 2006.
New York, Pierre Matisse Gallery, Joan Miró, November 1936.London, The Tate Gallery, Joan Miró, August - October 1964, no. 143 (illustrated pl. 27c); this exhibition later travelled to Zurich, Kunsthaus, October - December 1964.Tokyo, National Museum of Modern Art, Joan Miró exhibition, August - October 1966, no. 56 (illustrated p. 109); this exhibition later travelled to Kyoto, National Museum of Modern Art.Yokohama, Yokohama Museum of Art, Joan Miró. Centennial Exhibition: The Pierre Matisse Collection, November - March 1992, no. 30 (illustrated p. 77).Barcelona, Fundació Joan Miró, Parc de Montjuïc, Joan Miró, 1893-1993, April - August 1993, no. 141, p. 335 (illustrated).Ferrara, Palazzo dei Diamanti, Miró: la terra, February - May 2008, no. 27, p. 144 (illustrated). New York, The Museum of Modern Art, Joan Miró: Painting and Anti-Painting 1927-1937, February 2008 - December 2009, pl. 103 (illustrated p. 208).
J. Dupin, Miró, Life and Work, London, 1962, no. 472, p. 536 (illustrated). P. Gimferrer, Les arrels de Miró, Barcelona, 1993, no. 380, p. 219 (illustrated).J. Dupin & A. Lelong-Mainaud, Joan Miró, Catalogue raisonné, Paintings, vol. II, 1931-1941, Paris, 2000, no. 533, p. 161 (illustrated).
