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| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Jun 19, 2013 | Sotheby's | London | Impressionist & Modern Art Evening Sale | 45 | $****** - ****** | La Horde |
paintings
46 x 55 cm (18.11 x 21.65 in)
oil on canvas
signed Max Ernst (upper left)
Sale: Galerie Georges Giroux, Brussels, 25th March 1959, lot 74
Roland, Browse & Delbanco, London (sold: Sotheby’s, London, 3rd December 1985, lot 48)
Acquired by the present owner in the early 1990s
Brussels, Galerie le Centaure, Exposition Max Ernst, 1927 Brussels, Galerie l’Époque, 1928 Venice, XXVII Biennale Internazionale d'Arte, I maestri del surrealismo, 1954 New York, Museum of Modern Art & Chicago, The Art Institute of Chicago, Max Ernst, 1961, no. 37, illustrated in the catalogue London, Tate Gallery, Max Ernst, 1961, no. 78 London, Roland, Browse & Delbanco, Max Ernst – Etienne Cournault, 1962, no. 2, illustrated in the catalogue Cologne, Wallraf-Richartz Museum & Zurich, Kunsthaus Zürich, Max Ernst, 1963, no. 28, illustrated on the cover of the catalogue and on the poster Vienna, Museum des 20. Jahrhunderts, Idole und Dämonen, 1963, no. 43, illustrated in the catalogue Kassel, Alte Galerie, Documenta III, 1964, no. 8, illustrated in the catalogue Berlin, Akademie der Künste, Labyrinthe Phantastische Kunst vom 16. Jahrhunderts bis zur Gegenwart, 1966, no. 203 Munich, Haus der Kunst, Max Ernst: Retrospektive, 1979, no. 145, illustrated in the catalogue New York, Arnold Herstand & Company, Max Ernst, fragments of capricorn and other sculpture, 1984 Edinburgh, Scottish National Gallery of Modern Art, One Man’s Choice, 1985, no. 21
André de Ridder, Be levende Kunst geizen te Venetié, Brussels, 1958, vol. II, illustrated p. 280; Art News, New York, April 1961, no. 6, illustrated p. 43; Uwe M. Schneede, The Essential Max Ernst, London, 1972, no. 163, illustrated p. 93; Werner Spies, Sigrid & Günter Metken, Max Ernst Œuvre-Katalog, Werke 1925-29, Cologne, 1976, no. 1126, illustrated p. 172
