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| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Jun 1, 2016 | Dorotheum | Vienna | Contemporary Art, Part I | 661 | $****** - ****** | Untitled |
sculpture
115 x 22 x 12 cm (45.28 x 8.66 x 4.72 in)
carrara marble,
signed Atchugarry
Tornabuoni Arte, Florence, European
Private Collection
Carlo Pirovano, Carlo Pirovano, Atchugarry � Catalogo generale della scultura, Atchugarry � Catalogo generale della scultura, Mondadori Electa, Mondadori Electa, 2013, 2013, no. 320 with ill., no. 320 with ill., Atchugarry �takes on the marble, Atchugarry �takes on the marble, seeking to investigate its potential, seeking to investigate its potential, discover its clues. He has no need for a preparatory drawing: he traces some rough lines directly onto the stone to be hewn. The marvel will be revealed in a process of continuous, discover its clues. He has no need for a preparatory drawing: he traces some rough lines directly onto the stone to be hewn. The marvel will be revealed in a process of continuous, daily becoming, daily becoming, the final destination remaining hidden to the artist himself. In the white statue marble from Carrara or the pink marble of Portugal, the final destination remaining hidden to the artist himself. In the white statue marble from Carrara or the pink marble of Portugal, he chases after a vein, he chases after a vein, a difference in tone, a difference in tone, not to be considered a hindrance to the movement of his hand, not to be considered a hindrance to the movement of his hand, but rather a hint at a fortunate route to creation., but rather a hint at a fortunate route to creation., Luciano Caprile, Luciano Caprile, 2014, 2014
