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| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Mar 7, 2018 | Sotheby's | London | Contemporary Art Evening Auction | 28 | $****** - ****** | Very Good | GELBGRÜN (YELLOW-GREEN) |
paintings
260.5 x 200.5 cm (102.56 x 78.94 in)
oil on canvas, in two parts
signed, dated 1982 and numbered 492 on the reverse of the left canvas, numbered 492 on the reverse of the right canvas
Galerie Konrad Fischer, Dusseldorf
Collection Ulbricht, Dusseldorf
Achenbach Art Consulting, Dusseldorf
Acquired from the above by the present owner
Kassel, documenta 7, June - October 1982
New York, SperoneWestwaterFischer Gallery, Gerhard Richter, January 1983
Chicago, Marianne Deson Gallery, Gerhard Richter, May - June 1983
Dusseldorf, Kunstmuseum Düsseldorf, Der Versuch, am Ende doch noch Spaß zu haben. Sammlung Ulbricht. Neuerwerbungen 1981-1983, September - October 1983, pp. 16-17, no. 334, illustrated in colour
Dusseldorf, Städtische Kunsthalle Düsseldorf; Berlin, Neue Nationalgalerie; Bern, Kunsthalle; and Vienna, Museum des 20. Jahrhunderts, Gerhard Richter. Bilder 1962-1985 (Exh. Cat. and catalogue raisonné), January - September 1986, p. 258, no. 492, illustrated in colour
Barcelona, Museu d’Art Contemporani de Barcelona, Gerhard Richter: Atlas, April - July 1999
Karlsruhe, ZKM, Museum für Neue Kunst, KunstSammeln, December 1999 - March 2000
Baden-Baden, Museum Frieder Burda; Edinburgh, National Galleries of Scotland; Vienna, Albertina; and Duisburg, MKM Museum Küppersmühle für Moderne Kunst, Gerhard Richter. Bilder aus privaten Sammlungen, January 2008 - August 2009, pp. 112-13, illustrated in colour
Beijing, National Art Museum of China, Gerhard Richter: Paintings 1963-2007, May - July 2008, pp. 130-31, illustrated in colour
Karlsruhe, ZKM Museum für Neue Kunst, just what is it... 100 Jahre Kunst der Moderne aus privaten Sammlungen in Baden-Württemberg, December 2009 - April 2010, pp. 274-75, illustrated in colour
London, Tate Modern; and Paris, Musée National d’Art Moderne, Centre Pompidou, Gerhard Richter. Panorama, October 2011 - September 2012, p. 147, illustrated in colour
Rudi Fuchs, ‘Meister ohne Stil und Grammatik’, art. Das Kunstmagazin, June 1982, pp. 42-43, illustrated in colour
Exh. Cat. (and catalogue raisonné), Bonn, Kunst-und Ausstellungshalle der Bundesrepublik Deutschland, Gerhard Richter: 1962-1993, December 1993 - February 1994, n.p., no. 492, illustrated in colour
Helmut Friedel, Ed., Städtische Galerie im Lenbachhaus München, Munich 1995, pp. 92-93, illustrated in colour (installation view)
Gabi Czöppan, ‘Schick mit Folgen’, Focus, 9 September 1996, p. 122, illustrated in colour
Adi Martis, ‘Het neo-expressionisme’, in: Adi Martis and Mieke Rijnders, Eds., Expressionisme en primitivisme in de beeldene kunst van de twintigste eeuw, Heerlen 1998, p. 171, no. 162, illustrated in colour
Christian Saehrendt, ‘Verweildauer je Bild: eine Minute’, Frankfurter Allgemeine Sonntagszeitung, 23 October 2005, p. 80, illustrated in colour
Georg Patzer, ‘Der Meister aller Stilarten’, Stuttgarter Zeitung, 23 January 2008, p. 26, illustrated in colour
Keith Hartley, ‘Radical Senses’, MAP, Winter 2008/09, p. 67
Stefano Castelli, ‘Gerhard Richter, cinico e liberale’, Arte, October 2011, p. 96, illustrated in colour
Waldemar Januszczak, ‘Is Gerhard Richter the world’s greatest living artist?’, The Sunday Times, 9 October 2011, pp. 8-9, illustrated in colour
T. J. Clark, ‘Grey Panic’, London Review of Books, 17 November 2011, p. 6, illustrated in colour
Guitemie Maldonado, ‘Images d’abstractions’, connaisance des arts, hors-séries, No. 538, 2012, p. 48, illustrated in colour
Jörg Heiser, ‘Gerhard Richter’, Frieze, February 2012, Issue 144, p. 131, illustrated in colour
Itzhak Goldberg, ‘Gerhard Richter, peintre multitâche’, Beaux Arts Magazine, June 2012, pp. 88-89, illustrated in colour
Jérôme Coignard, ‘Gerhard Richter, un géant à Paris’, connaisance des arts, June 2012, p. 59, illustrated in colour
Valerie Duponchelle, ‘Gerhard Richter, le triomphe de la peinture’, Le Figaro, 5 June 2012, p. 28, illustrated in colour
Harry Kampianne, ‘Gerhard Richter. Le peintre qui peut tout peindre’, art actuel, July/August 2012, p. 33, illustrated in colour
Dietmar Elger, Ed., Gerhard Richter: Catalogue Raisonné 1976-1987, Vol. III, Ostfildern 2013, p. 267, no. 492, illustrated in colour
Exh. Cat., London, British Museum, Germany Divided. Baselitz and his generation. From the Duerckheim Collection, February - August 2014, p. 147 (text)
signed, dated 1982 and numbered 492 on the reverse of the left canvas; numbered 492 on the reverse of the right canvas
oil on canvas, in two parts
each: 260.5 by 200.5 cm. 102 1/2 by 79 in.
overall: 260.5 by 401 cm. 102 1/2 by 157 7/8 in.
