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| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Jul 3, 2019 | Sotheby's | London | Old Masters Evening Sale | 23 | $****** - ****** | STUDY FOR THE WHITE HORSE |
paintings
61 x 50 cm (24.02 x 19.69 in)
oil on canvas
Possibly the painter's son, Lionel Bicknell Constable (1828–1887);
Possibly his sale, London, Christie's, 2 March 1874, lot 167, to 'Reynolds' (as 'The White Horse. A sketch for the picture');
With Arthur Tooth and Sons Ltd., London, by March 1950 (stock number 2386);
By whom sold, 2 May 1950, to a lady;
Private collection, Switzerland;
Anonymous sale, London, Christie's, 30 November 2000, lot 3;
There acquired by the present owner.
J. Mayne, 'John Constable's sketches and studies', in Antiques Review, no. 1, December 1950, pp. 21–23, reproduced pl. 1;
L. Parris and I. Fleming-Williams, Constable. Paintings, Drawings and Watercolours, Tate exh. cat., London 1976, p. 108, under no. 165;
R. Hoozee, L'opera completa di Constable, Milan 1979, p. 111, no. 253, reproduced;
G. Reynolds, The Later Paintings and Drawings of John Constable, 2 vols, New Haven and London 1984, text vol., pp. 28 and 30, no. 19.3, plates vol., reproduced pl. 70;
L. Parris and I. Fleming-Williams, 'Book Review of The Later Paintings and Drawings of John Constable', in The Burlington Magazine, vol. CXXVII, no. 984, March 1985, p. 167;
C. Rhyne, 'Constable's first two six-foot landscapes', in Studies in the History of Art, vol. 24, 1990, p. 124, reproduced fig. 17;
J. Hayes, The Collections of the National Gallery of Art. Systematic Catalogues: British Paintings of the Sixteenth through Nineteenth Centuries, Washington 1992, p. 33, reproduced fig. 5 (as 'Willy Lott's House and Thatched boat Shelter and Barn');
A. Lyles (ed.), Constable. The Great Landscapes, exh. cat., Tate, London 2006, p. 134 (as a sketch for the painting at the Frick).
oil on canvas
61 x 50 cm.; 24 x 19 3/4 in.
