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| Image | Last Sale Date | Title | Edition No. | Last Sale | Last Sale Auction House | Last Sale Location | |
|---|---|---|---|---|---|---|---|
| May 13, 2025 | The Last Supper | 3 | Phillips | New York | |||
photographs
151.1 x 739.1 cm (59.5 x 291 in)
gelatin silver print mounted on panel, in artist"s frames, in 5 parts
signed \\\"Sugimoto\\\" on a label affixed to the reverse of the center panel
Sonnabend Gallery, New York
Private Collection, United States (acquired from the above)
Sotheby"s, New York, May 15, 2008, lot 426
Acquired at the above sale by the present owner
Berlin, Deutsche Guggenheim; Guggenheim Museum Bilbao, emSugimoto: Portraits/em, March 5, 2000-December 10, 2001, pp. 35, 38-39, 48-49, 62, 93, 95-98, 168 (another example exhibited and illustrated, pp. 95-98)
London, White Cube, emHiroshi Sugimoto: Portraits/em, January 16-March 3, 2001 (another example exhibited)
San Francisco Museum of Modern Art, emSupernova: Art of the 1990s from the Logan Collection/em, December 13, 2003-May 23, 2004, pp. 160-161, 185 (another example exhibited and illustrated, pp. 160-161)
Museum of Contemporary Art Chicago, emUniversal Experience: Art, Life, and the Tourist"s Eye/em, February 12-June 5, 2005, pp. 96-97, 268 (another example exhibited and illustrated, pp. 96-97)
Vail, The Logan Collection, emPost Modern Portraiture from the Logan Collection/em, Winter 2005, no. 80, pp. 198-199, 316 (another example exhibited and illustrated, pp. 198-199)
National Gallery of Singapore, emBelief: Singapore Biennale 2006/em, September 4-November 12, 2006, pp. 24-25 (another example exhibited; installation view of another example illustrated)
Lille, Tri Postal, emPassage du Temps: Une selection d"oeuvres autour de l"image. Collection de François Pinault Foundation/em, October 16, 2007-January 1, 2008, no. 69, pp. 145, 160-161, 172 (another example exhibited and illustrated, pp. 160-161)
Tokyo, The National Museum of Modern Art,em Guess what? Hardcore Contemporary Art"s Truly a World Treasure. Selected Works from the YAGEO Foundation Collection/em, June 20-August 25, 2014, no. 30, pp. 82, 86-87, 212 (another example exhibited and illustrated, pp. 86-87)
Grimaldi Forum Monaco, emArt Lovers - Stories of Art in the Pinault Collection/em, July 12-September 7, 2014, pp. 21, 31, 41, 50, 148-149, 197 (another example exhibited and illustrated, p. 149)
Paris, Chapelle Laennec,em Echos: Journées du patrimoine/em, September 17-18, 2016 (another example exhibited)
Rennes, Couvent des Jacobins, emAu-delà de la couleur. Le noir et le blanc dans la Collection Pinault/em, June 12-August 29, 2021, pp. 187, 196-199, 242-243 (another example exhibited and illustrated, pp. 198-199; Chapelle Laennec, Paris, 2016, installation view of another example illustrated, pp. 196-197)
Bettina Brandl-Risi, Wolf-Dieter Ernst and Meike Wagner, eds., emFiguration/em, Munich, 2000, pp. 82-83 (another example illustrated, p. 83)
\\\"Exhibit Challenges Viewer"s Way of Seeing,\\\"em Art Business News/em, vol. 28, no. 10, New York, October 2001, p. 102 (another example)
William Packer, “Artists who make snap judgments,” emFinancial Times/em, January 23, 2001, p. 22 (another example)
Lane Relyea, ““Universal Experience: Art, Life, and the Tourist"s Eye”,”em Artforum/em, vol. 43, no. 10, summer 2005, p. 321 (another example)
Dominic Eichler, “Reviews: Universal Experience,” emFrieze/em, Issue 96, January-February, 2006, p. 147 (another example)
Rachel Wells, emScale in Contemporary Sculpture/em, Surrey, 2013, p. 122
Annabel James, “Two Exhibitions: Two Collections - Japan Focus,”em Ocula/em, September 12, 2014, online (another example)
Hiroshi Sugimoto
The Last Supper
center panel unframed 46 1/2 x 58 3/4 in. (118.1 x 149.2 cm)
each side panel unframed 46 1/2 x 43 in. (118.1 x 109.2 cm)
overall unframed 46 1/2 x 278 in. (118.1 x 706.1 cm)
overall framed 59 1/2 x 291 in. (151.1 x 739.1 cm)
signed \\\"Sugimoto\\\" on a label affixed to the reverse of the center panel
gelatin silver print mounted on panel, in artist"s frames, in 5 parts
Executed in 1999, in the United States, this work is number 3 from an edition of 5.
Other examples from this edition are housed in the permanent collections of the Solomon R. Guggenheim Museum, New York, the YAGEO Foundation, Taiwan and the Pinault Collection, Paris.
