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| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Oct 4, 2019 | Christie's | London | Thinking Italian | 113 | $****** - ****** | Sacco e Bianco |
paintings
68.5 x 57 cm (26.97 x 22.44 in)
fabric, burlap, oil and Vinavil on fabric
signed and dated ‘Burri 53’ (on the reverse)
D. Thompson Collection, Pittsburgh.
Galleria Blu, Milan.
Galleria Gissi, Turin.
Private Collection, Italy (acquired from the above in 1969).
Acquired from the above by the present owner.
Pittsburgh, Museum of Art Carnegie Institute, Paintings by Alberto Burri, 1957-1958, no. 4 (illustrated and titled With striped material from Castello, unpaged). This exhibition later travelled to Chicago, The Arts Club of Chicago; Buffalo, Albright Art Gallery and San Francisco, San Francisco Museum of Art.
Lucerne, Kunstmuseum, Italienische Maler der Gegenwart, 1960 (with titled Con materiale di Castello, p. 9).
Turin, Galleria Gissi, Epica della vitalità, 1969, no. 5 (illustrated in colour, unpaged).
Turin, Galleria La Bussola, Antologia Internazionale, 1969.
Acqui Terme, Palazzo “Liceo Saracco”, “Amate sponde” Pittura di paesaggio in Italia dal 1910 al 1984, 1984 (illustrated in colour with incorrect medium, unpaged).
Rome, Palazzo delle Esposizioni, Burri opere 1944-1995, 1996-97 (illustrated in colour, p. 172). This exhibition later travelled to Munich, Lenbachhaus and Brussels, Palais des Beaux-Arts.
Acqui Terme, Palazzo “Liceo Saracco”, I “neri” di Burri, 2003 (illustrated in colour, p. 53).
Milan, Museo della Permanente, Filoluce. Da Balla a Boetti, da Fontana a Flavin, 2005 (illustrated in colour, p. 46); p. 106.
Appunti sull’interpretazione critica di Burri, in Arte Oggi, a. III, no. 10, 1961.
C. Brandi, Burri, Rome 1963, no. 34 (illustrated, unpaged).
Fondazione Palazzo Albizzini (ed.), Alberto Burri, Contributi al Catalogo Sistematico, Città di Castello 1990, no. 109 (illustrated in colour, p.37).
Nella materia, la perfezione, in Gazzettino del lunedì, Venice 1996.
G. Serafini, Burri. La misura e il fenomeno, Milan 1999, p. 48 (illustrated), no. 50 (p. 242).
Marca-Relli l'amico americano; sintonie e dissonanze con Afro e Burri, exh. cat., Galleria d'Arte Niccoli, Parma 2002 (illustrated in colour, p. 289).
G. Celant, Manzoni and his Time, in Piero Manzoni. A Retrospective, New York 2009 (illustrated in colour, p. 19).
A.A., V.V, Gastone Novelli Catalogo Generale 1. Pittura e scultura, Cinisello Balsamo 2011 (illustrated in colour, p. 18).
Fondazione Palazzo Albizzini (ed.), Alberto Burri, General Catalogue, Città di Castello 2015, vol. I, no. 203 (illustrated in colour, p. 108), no. 203, p 296; vol. VI, no. i5314 (illustrated in colour, p. 67).
signed and dated ‘Burri 53’ (on the reverse)
fabric, burlap, oil and Vinavil on fabric
27 x 22½in. (68.5 x 57cm.)
Executed in 1953
