Top-100 artists:
We use our proprietary AI - LiveArt Estimate™ to calculate current market value for each artwork. Based on this data LiveArt is able to provide numerous insights into artist and artwork financial performance, including:
See the measure of artist investment performance relative to risk. A higher ratio suggests better risk-adjusted returns, indicating more consistent performance with less risk.
Explore the most prolific periods in an artist's career based on artwork production volume and current market value. It also segments these periods by category, offering insights into when the most valuable pieces were created in each category.
Free to sign up. No credit card required.
| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Nov 13, 2015 | Christie's | New York | Eve. Impressionist and Modern Evening Sale | 11C | $****** - ****** | Figure de l’homme qui marche, moyen modèle |
sculpture
84.1 cm (33.13 in)
bronze with dark brown and green patina
Musée Rodin, Paris.
Charles Slatkin Galleries, New York (acquired from the above, December 1964).
Feingarten Galleries, Los Angeles.
Acquired from the above by the present owners, 1981.
San Francisco Museum of Modern Art, Celebrating Modern Art: The Anderson Collection, October 2000-January 2001, pp. 264 and 383, no. 247 (illustrated in color, p. 265, pl. 148; illustrated in color in situ, p. 29, fig. 15).
R.M. Rilke, Auguste Rodin, Berlin, 1907, p. 84.<br>G. Grappe, Catalogue du Musée Rodin, Paris, 1927, vol. I, p. 29, no. 15 (another cast illustrated).<br>J. Cladel, Rodin: Sa vie glorieuse et inconnue, Paris, 1936, pp. 132-133 and 275.<br>A. Leslie, Rodin: Immortal Peasant, New York, 1937, p. 304.<br>G. Grappe, Catalogue du Muse´e Rodin, Paris, 1938, pp. 16-17 (another cast illustrated).<br>V. Frisch and J.T. Shipley, Rodin: A Biography, New York, 1939, pp. 58, 114, 127, 199, 311, 372 and 423-423 (another cast illustrated, fig. 32).<br>G. Grappe, Catalogue du Muse´e Rodin, Paris, 1944, pp. 16-17 (another cast illustrated).<br>J. Cladel, Rodin, Paris, 1948, pp. xvi and xix.<br>E. Herriot, Rodin, Zürich, 1949, pp. 78-79 (larger cast illustrated).<br>M. Aubert, Rodin Sculptures, Paris, 1952, pp. 14-15 (another cast illustrated).<br>C. Goldscheider, Rodin, Paris, 1962, p. 56 (another cast illustrated).<br>A.E. Elsen, Rodin, New York, 1963, pp. 27, 29, 31-33 and 181 (another cast illustrated, p. 28; larger cast illustrated, p. 30).<br>A. Bowness, Modern Sculpture, London, 1965, p. 12 (another cast illustrated, p. 15).<br>D. Sutton, Triumphant Satyr: The World of Auguste Rodin, London, 1966, pp. 41, 69 and 94.<br>B. Champigneulle, Rodin, Paris, 1967, pp. 57-59 (another cast illustrated).<br>I. Jianou and C. Goldscheider, Rodin, Paris, 1967, p. 87 (plaster version illustrated, pl. 10).<br>A.E. Elsen and H. Moore, "Rodin's Walking Man as Seen by Henry Moore" in Studio International, July-August 1967, no. 174, pp. 26-31.<br>R. Descharnes and J.-F. Chabrun, Auguste Rodin, Paris, 1967, p. 213 (larger cast illustrated; plaster version illustrated, p. 55).<br>A.E. Elsen, "The Sculpture of Matisse, Part I" in Artforum, September 1968, vol. 7, pp. 22-26 (another cast illustrated).<br>W. Tucker, The Language of Sculpture, London, 1974, pp. 144-145 (another cast illustrated).<br>J.L. Tancock, The Sculpture of Auguste Rodin, Philadelphia, 1976, p. 365, no. 65-1 (another cast illustrated).<br>Y. Taillandier, Rodin, New York, 1978, p. 6 (another cast illustrated).<br>R. Butler, ed., Rodin in Perspective, Englewood Cliffs, New Jersey, 1980, pp. 28, 30, 149, 162, 170, 189 and 190-191.<br>A.E. Elsen, In Rodin's Studio: A Photographic Record of Sculpture in the Making, Ithaca, 1980, p. 187, nos. 132-134 (larger casts illustrated in situ, pls. 132-134).<br>A.E. Elsen, Purposes of Art, 4th Edition, New York, 1981, p. 345 (another cast illustrated).<br>H. Pinet, Rodin: Sculpteur et les photographes de son temps, Paris, 1985, p. 48, no. 36 (larger cast illustrated).<br>M. Laurent, Rodin, Paris, 1988, p. 33 (another cast illustrated).<br>C. Goldscheider, Rodin: Vie et oeuvre, catalogue raisonné de l'oeuvre sculpté, 1840-1886, Lausanne and Paris, 1989, vol. I, p. 130, no. 103a (larger cast illustrated, p. 131).<br>D. Jarrassé, Rodin, la passion du mouvement, Paris, 1993, pp. 48-49 (other versions illustrated).<br>K. Baker, "The Hunk and Moo Show" in Town & Country, October 2000, p. 133 (illustrated in color).<br>S. Staggs, "All in Two Places" in ANG Newspapers, 20 October 2000, Preview Section, p. 19.<br>A. Wallach, "A Collection That Could Fill In a Museum's Gaps" in The New York Times, 12 November 2000, p. 42.<br>A.E. Elsen, Rodin's Art, New York, 2003, pp. 546-555, no. 174 (other versions illustrated, pp. 546 and 548-550).<br>A. Le Normand-Romain, The Bronzes of Rodin: Catalogue of Works in the Musée Rodin, Paris, 2007, vol. II, pp. 421-422, no. S.495 (another cast illustrated).
