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| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Jul 1, 2022 | Sotheby's | London | Old Masters Day Auction | 217 | $****** - ****** | Good | A capriccio view of a church and an obelisk, with figures promenading |
paintings
82.8 x 111.7 cm (32.6 x 43.98 in)
oil on canvas
George Folliott (1801-1851), Vicars Cross, Chester;
Thence by descent to his daughter, Mrs E.I.E. Folingsby Walker, and grandson, James Folliott Folingsby Walker;
By whom sold (‘The Property of the Late George Folliott'), London, Sotheby's, 14 May 1930, lot 56, for £260 to Colnaghi;
With P. & D. Colnaghi, London;
With Karl Haberstock, Berlin, acquired from the above, June 1938;
Recovered from the above, in Obserstdorf, by Allied Monuments Officers, 21 June 1947;
Central Collecting Point, Munich (inv. no. 43605);
Returned to Karl Haberstock, January 1950;
Private collection, England, by 1960;
With Arthur Tooth & Sons, London, by 1968;
Private collection, London, by 1995;
With Galerie Dominique Hurtebize, Cannes;
From whom acquired in 1999 by the present owner (all of the above as by Marieschi).
London, Arthur Tooth & Sons, The Venetian View Painters of the 18th and 19th Centuries , 23 April - 25 May 1968, no. 8 (as Marieschi).
M. Goering, Francesco Guardi , Vienna 1944, pp. 23-24, reproduced fig. 23 (the figures as by Francesco Guardi);
R. Pallucchini, ‘Dipinti veneziani a Chicago, Detroit, Toledo e Hartford', in Arte Veneta , vol. I, no. 2, April-June 1947, p. 148 (the figures as by Francesco Guardi);
R. Pallucchini ed., La pittura veneziana del Settecento , Venice and Rome 1960, p. 195, reproduced fig. 498 (the figures as by Francesco Guardi);
R. Pallucchini, ‘A proposito della mostra bergamasca del Marieschi', in Arte Veneta , vol. XX, 1966, p. 315;
A. Morassi, ‘Appunti su Michele Marieschi ‘alter ego' del Canaletto', in A. Kosegarten and P. Tigler, Festschrift Ulrich Middeldorf , Berlin 1968, p. 501 (the figures as by Antonio Guardi);
D. Succi, Catalogo ragionato dell' opera incisa , Turin 1987, p. 25, reproduced pp. 26-27, figs 14 and 15 (detail), and p. 90, under no. 23;
R. Toledano, Michele Marieschi l'opera completa , Milan 1988, p. 137, no. C.27.1 (the figures as by Antonio or Francesco Guardi);
D. Succi (ed.), Marieschi. Tra Canaletto e Guardi , exh. cat., Turin 1989, p. 198, reproduced p. 199, fig. 243 (as entirely by Marieschi, and datable to 1741-42);
M. Manzelli, Michele Marieschi: e il suo alter-ego Francesco Albotto , Venice 1991 (and 2nd ed., Venice 2002), p. 65, no. M.58.1, reproduced p. 66 (as entirely by Marieschi);
F. Zeri and K. Rozman, Maestri europei dalle collezioni Slovene , Lubiana 1993, p. 160, under no. 43;
R. Toledano, Michele Marieschi : catalogo ragionato , Milan 1995, p. 159, no. C.26a, reproduced (the figures as by Gian Antonio and Francesco Guardi, and datable to the late 1730s);
F. Pedrocco, Michele Marieschi. La vita, l'ambiente, l'opera , Milan 1999, pp. 362-63, no. 136, reproduced (the figures as by Antonio Guardi, and datable to the late 1730s);
H. Keßler and C. Trepesch, Karl Haberstock umstrittener Kunsthändler und Mäzen , Munich and Berlin 2008, p. 270, reproduced p. 300;
D. Succi, Michele Marieschi. Opera completa , Treviso 2016, pp. 392-94, no. 205, reproduced in colour p. 393, fig. 205 (as entirely by Marieschi, datable to 1740).
Property from a European Private Collection
Circle of Michele Marieschi
A capriccio view of a church and an obelisk, with figures promenading
oil on canvas
unframed: 82.8 x 111.7 cm.; 32⅝ x 44 in.
framed: 105.4 x 136.3 cm.; 41½ x 53⅝ in.
