J. Schuyler, “Mark Rothko,” Art News, vol. 57, no. 1, March 1958, p. 12 (illustrated inverted).
D. Ashton, “Perspective de la peinture américaine”, Cahiers d’Art, vol. 33-35, 1960, p. 209 (illustrated).
G. Marchiori, La pittura straniera nelle collezione italiane, Turin, 1960, n.p. (illustrated in color).
L. Alloway, The Venice Biennale 1895-1968: from salon to goldfish bowl, Greenwich, 1968 (illustrated on the inside front cover and inside back cover).
J. Haviland, ed., A Picture History of Art: Western Art Through the Ages, Oxford, 1979, p. 304, no. 1 (illustrated in color with the incorrect date).
J.-E. Muller and R. T. Bellido, A Century of Modern Painting, New York, 1986, p. 204 (illustrated in color with the incorrect date and inverted).
I. de Wavrin, "Marché," Beaux Arts, vol. 93, September 1991, p. 37 (illustrated in color).
D. Anfam, Mark Rothko: The Works on Canvas, Catalogue Raisonné, New Haven, 2001, pp. 448-449, no. 584 (illustrated in color).
R. Koella and F. Billeter, Secret Masterpieces from the R. & H. Batliner Art Foundation, New York and London, 2006, pp. 364-365 and 473, no. 192 (illustrated in color).
O. Wick, ed., Rothko, Milan, 2007, p. 215 (installation view illustrated).