Top-100 artists:
We use our proprietary AI - LiveArt Estimate™ to calculate current market value for each artwork. Based on this data LiveArt is able to provide numerous insights into artist and artwork financial performance, including:
See the measure of artist investment performance relative to risk. A higher ratio suggests better risk-adjusted returns, indicating more consistent performance with less risk.
Explore the most prolific periods in an artist's career based on artwork production volume and current market value. It also segments these periods by category, offering insights into when the most valuable pieces were created in each category.
Free to sign up. No credit card required.
| Image | Last Sale Date | Title | Edition No. | Last Sale | Last Sale Auction House | Last Sale Location | |
|---|---|---|---|---|---|---|---|
| Jun 19, 2019 | La douleur | 3 | Christie's | London | |||
sculpture
154.9 x 177.8 x 271.8 cm (61 x 70 x 107 in)
bronze with green patina
signed with the monogram (on top of the plinth); numbered '3 / 6' (on the back of the plinth); stamped with the foundry mark 'C. VALSUANI CIRE PERDUE' (on the back of the base)
Dina Vierny, by 1979.
Acquired from the above by the present owner in 1980.
Baden-Baden, Staatliche Kunsthalle, Maillol, June - September 1978, no. 59 (illustrated).
Perpignan, Palais des Rois de Majorque, Maillol au Palais des Rois de Majorque, 1979, no. 77, p. 194 (illustrated p. 118).
Stuttgart, Galerie Valentien, Aristide Maillol, Bronzeskulpturen, July - September 1980, p. 23 (illustrated p. 24).
Berlin, Georg-Kolbe-Museum, Aristide Maillol, January - May 1996, no. 76, p. 213 (illustrated); this exhibition later travelled to Lausanne, Musée cantonal des Beaux-Arts, May - September 1996; Bremen, Gerhard Marcks-Haus, October 1996 - January 1997; and Mannheim, Städtische Kunsthalle, January - March 1997.
C. Zervos, 'Aristide Maillol', in L'Art d'Aujourd'hui, 1925 (another cast illustrated pl. XL).
J. Cladel, Maillol, sa vie, son œuvre, ses idées, Paris, 1937, p. 118 (another cast illustrated p. 37).
J. Rewald, Maillol, Paris, 1939, p. 165 (plaster version illustrated pl. 47).
R. Linnenkamp, Maillol. Die grossen Plastiken, Munich, 1960, pp. 14-35.
G. Bresc-Bautier, A. Pingeot & A. Le Normand-Romain, Sculptures des jardins du Louvre, du Caroussel et des Tuileries, Paris, 1986, no. 245 (another cast illustrated p. 293).
B. Lorquin, Aristide Maillol, London, 1995, p. 84 (another cast illustrated p. 85).
R. Franke, 'Figuren von klassichem Ebenmaß', in Berliner Morgenpost, 14 January 1996 (illustrated).
C. Herchenröder, 'Deutschem Geschmack verbunden', in Handelsblatt, 19-20 January 1996 (illustrated).
K. Hansel, 'Klassisch-moderne Plastiken', in Brandenburgisches Sonntagsblatt, 25 February 1996 (illustrated).
signed with the monogram (on top of the plinth); numbered '3 / 6' (on the back of the plinth); stamped with the foundry mark 'C. VALSUANI CIRE PERDUE' (on the back of the base)
bronze with green patina
Height: 61 in. (155 cm.)
Width: 27 ½ in. (70 cm.)
Depth: 42 1/8 in. (107 cm.)
Conceived in 1920-1921; this bronze version cast in June 1967
