J. Smith, A catalogue raisonné... , vol. V, London 1834, p. 81, no. 252;
A. Graves, A Century of Loan Exhibitions 1813-1912 , London 1913, vol. I, pp. 60 and 62;
C.Hofstede de Groot, Beschreibendes und kritisches Verzeichnis der Werke... , vol. IX, Esslingen/Paris 1926, p. 179, no. 449;
‘Notable Works of Art now on the Market’, in The Burlington Magazine , vol. XCIX, no. 651, June 1957, reproduced pl. IX;
E. Schaar, Studien zu Nicolaes Berchem , dissertation, Cologne 1958, p. 69;
A. Blankert, Nederlandse 17e Eeuwse Italianiserende Landschapschilders , Soest 1978, pp. 162-63, no. 83, reproduced pl. 85;
P. Sutton in The Golden Age of Dutch Landscape Painting , exh. cat., Madrid 1994, p. 80, no. 83, reproduced in colour;
L. Harwood in Inspired by Italy. Dutch landscape painting 1600-1700 , exh. cat., Dulwich Picture Gallery, London, 2002, p. 140, no. 31, reproduced in colour p. 141;
P. Biesboer and L. Pijl in Nicolaes Berchem. In the Light of Italy , P. Biesboer (ed.), exh. cat., Haarlem, Schwerin and Zürich, Haarlem 2006, pp. 24, 140-41, no. 31, reproduced in colour opposit p. 65;
P. Biesboer, De Gouden eeuw begint in Haarlem , exh. cat., Haarlem 2008, pp. 70-71, 177, reproduced fig. 45;
P. Biesboer, Frans Hals und Haarlems Meister der Goldenen Zeit , exh. cat., Munich 2008, pp. 70-71, reproduced p. 70, fig. 45.