Top-100 artists:
We use our proprietary AI - LiveArt Estimate™ to calculate current market value for each artwork. Based on this data LiveArt is able to provide numerous insights into artist and artwork financial performance, including:
See the measure of artist investment performance relative to risk. A higher ratio suggests better risk-adjusted returns, indicating more consistent performance with less risk.
Explore the most prolific periods in an artist's career based on artwork production volume and current market value. It also segments these periods by category, offering insights into when the most valuable pieces were created in each category.
Free to sign up. No credit card required.
| Image | Last Sale Date | Title | Edition No. | Last Sale | Last Sale Auction House | Last Sale Location | |
|---|---|---|---|---|---|---|---|
| Feb 11, 2015 | LA VICTOIRE DE SAMOTHRACE (S 9) | 71 | Sotheby's | London | |||
sculpture
52 x 24.5 x 24 cm (20.47 x 9.65 x 9.45 in)
dry pigment and synthetic resin on plaster cast with metal and stone base
incised with the artist's initials and dated 62 on the right wing; numbered 71/175 on the reverse; numbered 71/175 on the underside of the base
Gallerie Bleue, Stockholm
Acquired directly from the above by the present owner in the 1960s
Exhibition Catalogue, New York, Jewish Museum, Yves Klein, 1967, p. 51, another example illustrated
Paul Wember, Yves Klein, Cologne 1969, p. 97, no. S9, another example illustrated
Exhibition Catalogue, Bern, Kunsthalle Bern, Yves Klein, 1971, n.p., another example illustrated
Exhibition Catalogue, Zurich, Gimpel & Hanover Galerie, Yves Klein, 1973, n.p., installation image of another example in colour
Exhibition Catalogue, Houston, Rice University, Institute for the Arts; Chicago, Museum of Contemporary Art; New York, The Solomon R. Guggenheim Museum, Paris, Musée National d'Art Moderne, Centre Georges Pompidou, Yves Klein 1928-1962: A Retrospective, 1982-83, no. 92, another example illustrated in colour
Exhibition Catalogue, Mönchengladbach, Städtisches Museum Abteiberg, Katalog zur Ausstellung, 1984, p. 107, another example illustrated in colour
Exhibition Catalogue, Parma, Galleria d'Arte Niccoli, Une probabile umore dell'idea, 1989, p. 33, another example illustrated in colour
Exhibition Catalogue, Nice, Musée d'Art Moderne et Contemporain, Premier volet des collections, p. 11, another example illustrated in colour
Claude Fournet, Musées de Nice - Musée d'Art Moderne et Contemporain, Paris 1990, p. 31, another example illustrated in colour
Claude Fournet and Jacqueline Péglion, eds., Chroniques niçoises - Genèse d'un Musée, Nice 1991, n.p., another example illustrated in colour
Exhibition Catalogue, Cologne, Museum Ludwig; Dusseldorf, Kunstsammlung Nordrhein-Westfalen; London, Hayward Gallery; Madrid, Museo Nacional de Arte Reina Sofia, Yves Klein, 1994-95, p. 247, no. 112, another example illustrated in colour
Exhibition Catalogue, Vienna, Kunsthalle Wien, Engel, Engel, Legenden der Gegenwart, 1997, p. 221, another example illustrated in colour
Exhibition Catalogue, Oslo, National Museum of Contemporary Art; Tampere, Sara Hildén Art Museum; Sydney, Museum of Contemporary Art, Yves Klein, 1997-98, p. 75, no. 62, another example illustrated in colour
Exhibition Catalogue, Los Angeles, Los Angeles County Museum of Art, Love Forever: Yayoi Kusama, 1958-1968, 1998, n.p., illustrated in colour
Jean-Paul Ledeur, Yves Klein: Catalogue raisonné des éditions, et sculptures éditées, Knokke-Le-Zoute 2000, cat. no. S9
Nicholas Charlet, Yves Klein, Paris 2000, p. 231, another example illustrated in colour
Exhibition Catalogue, Hong Kong, Hong Kong Museum of Art, Nice Movements - Contemporary French Art, 2000, p. 64, another example illustrated in colour
Nicholas Charlet, Yves Klein, Paris 2000, n.p., another example illustrated in colour
Marco Livingstone, Pop Art, Paris 2000, p. 54, another example illustrated in colour
Exhibition Catalogue, Musée d'Art Moderne et d'Art Contemporain de Nice; Prato, Centro per l'arte contemporanea Luigi Pecci, Yves Klein, La Vie, la vie elle-même qui est l'art absolu, 2000-01, p. 182, another example illustrated in colour
Exhibition Catalogue, Macau, Museu de Arte de Macau, Du Nouveau Réalisme à Supports Surfaces, 2000, p. 89, another example illustrated in colour
Janny Lumeau, Des mots bleus pour "Klein le monochrome" France 2003, another example illustrated in colour on the cover
Exhibition Catalogue, Pietrasanta, Flora Bigai, Nel blu dipinto di blu Yves Klein, 2004, n.p., another example illustrated in colour
Véronique Prat, La Collection de Georges et Claude Pompidou, Paris 2004, p. 81, another example illustrated in colour
Exhibition Catalogue, Angers, Musée des Beaux Arts; Roanne, Musée Joseph Dechelette; Carcassonne, Musée des Beaux-Arts; Coblence, Museum Ludwig; LAAC Dunkerque, Marie Raymond - Yves Klein, 2004-07, p. 175, another example illustrated in colour
Léo Pajon, La Victoire de Samothrace, Paris 2005, p. 118, another example illustrated in colour
Sandrine Andrews, Yves Klein à la conquète de l'espace, Paris 2006, p. 26, another example illustrated in colour
Exhibition Catalogue, Paris, Musée National d'Art Moderne, Centre Georges Pompidou, Le Nouveau Réalisme, 2007, p. 199, another example illustrated in colour
Exhibition Catalogue, Mönchengladbach, Städtisches Museum Abteiberg Mönchengladbach, Kunst der Gegenwart/1960 bis 2007, 2007, n.p. another example illustrated in colour
Exhibition Catalogue, Lugano, Museo d'Arte & Sculture in Città, Yves Klein & Rotraut, 2009, pp. 178-179, another example illustrated in colour
Exhibition Catalogue, Madrid, Circulo de Bellas Arte, Marie Raymond - Yves Klein Herencias, 2009-10, p. 160, another example illustrated in colour
Exhibition Catalogue, Zurich, Galerie Gmurzynska, Yves Klein - The Venus Project, 2014, p. 34, another example illustrated in colour
Giovanni Lista, "Les sculptures d’Yves Klein et le spatialisme de Lucio Fontana," Ligeia dossiers sur l'art, Paris, Vol. XXVII, No. 129-132, January - July 2014, p. 25, another example illustrated in colour
