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| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Oct 18, 2019 | Christie's | Paris | Paris Avant-Garde | 23 | $****** - ****** | Regentag |
paintings
21.2 x 39.7 cm (8.35 x 15.63 in)
watercolour and gouache on gauze, monted on a primed board, fixed by the artist onto a wooden support
signed 'Klee' (lower right)
Karl Nierendorf, New York (confié par l'artiste en 1938 en dépôt jusqu'en 1960).
James Gilvarry, New York (en 1960, probablement acquis auprès de celui-ci).
Collection particulière, New York (par descendance).
Acquis auprès de celle-ci par le propriétaire actuel en 1987.
Berne, Kunsthalle, Paul Klee, février-mars 1935, p. 5, no. 54.
Bâle, Kunsthalle, Paul Klee, octobre-novembre 1935, no. 46.
Lucerne, Kunstmuseum, Paul Klee, Fritz Huf, avril-juin 1936, no. 62.
San Francisco, Museum of Art, Paul Klee, octobre 1939, no. 2.
New York, Nierendorf Gallery, Paul Klee, novembre 1941, no. 22.
Philadelphie, The Philadelphia Art Alliance, Paul Klee, Paintings, Drawings, Prints, mars-avril 1944, p. 10, no. 52.
Baltimore, Museum of Art et Richmond, The Virginia Museum of Fine Arts, Paul Klee, Private collection, James Gilvarry, juin-octobre 1960.
Champaign, University of Illinois, Krannert Art Museum, Paintings, Drawings and Prints by Paul Klee from the James Gilvarry Collection, septembre-octobre 1964, no. 2.
Santa Barbara, University of California, The Art Gallery, Paul Klee, Oils, Watercolors, Gouaches, Drawings, Prints from the James Gilvarry Collection, octobre-novembre 1967, p. 25, no. 2 (illustré, p. 31).
Berne, Zentrum Paul Klee, Paul Klee, Bewegte Bilder, janvier-août 2016.
Aachen, Ludwig Forum et Schweinfurt, Museo Georg Scha¨fer, Mies van der Rohe: Montage, Collage, octobre 2016-mai 2017, p. 119 (illustré).
Berne, Zentrum Paul Klee, Sollte alles denn gewusst sein? Paul Klee, Dichter und Denker, août-novembre 2017.
Berne, Zentrum Paul Klee, Kandinsky, Arp, Picasso…Klee & Friends, mars-septembre 2019 (illustré).
Oeuvrekatalog Klee, 1931, no. 150.
K. Nierendorf, éd., Paul Klee, Paintings, Watercolors, 1913 to 1939, New York, 1941, p. 8, no. 35 (illustré, pl. 35).
R. Frost, 'Klee: Pigeons, Come Home to Roost', in Art News, vol. 41, 1942, p. 24 (illustré, p. 25).
M. Armitage, C. Greenberg, H. Devree, N. W. Ross et J. J. Sweeny, 5 Essays on Klee, New York, 1950, p. 90.
J. Perkins, 'Danger Recollected and Foreseen: Paul Klee's Blitzgefahr', in The University of Michigan Museums of Art and Archaeology, Bulletin, vol. X, 1992-1993, p. 16 (illustré, fig. 7).
The Paul Klee Foundation, éd., Paul Klee, Catalogue raisonné, 1931-1933, Berne, 2002, vol. 6, p. 114, no. 5555 (illustré).
signé 'Klee' (en bas à droite)
aquarelle et gouache sur gaze, montée sur un carton préparé, fixé par l'artiste sur un support en bois
Exécuté en 1931
