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| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
May 27, 2014 | Sotheby's | Zurich | Schweizer Kunst / Swiss Art | 55 | $****** - ****** | Vieille Rue De Cagnes, Soleil Couchant |
paintings
65 x 54 cm (25.59 x 21.26 in)
oil on canvas
signed and dated l.r.
André Glarner, Paris
J. Rodrigues-Henriques, Paris
Louis Donn, London
Sotheby's, London, 08.04.1976, Nr. 204 (Le couché (sic) de soleil)
Galerie Vallotton, Lausanne, Nr. 11318 (bei Sotheby's in London erworben)
Louis Rusconi, Villette (1979)
P.-Y. Gabus, Genf, 23.-30.11.1987, Nr. 553
Galerie Vallotton, Lausanne, Nr. 13145 (bei Gabus in Genf erworben)
Galerie Wey, Luzern (1988)
Privatsammlung, Schweiz (bei der Galerie Wey erworben)
? Paris, Galerie Druet, Exposition Félix Vallotton, 1922, Nr. 29-50 (Cagnes et ses environs); Lausanne, Galerie Vallotton, Maîtres suisses et français, 1979-80, Nr. 36; Antibes, Musée Picasso, La Côte d'Azur et la modernité 1918-1958. A l'épreuve de la lumière, 1997, Nr. 60; Lausanne, Fondation de l'Hermitage, Au fil des collections, de Tiepolo à Degas, 2012
Livre de raison, Nr. 1312; Galerie Druet, Exposition Félix Vallotton, Ausstellungskatalog, Paris 1922; Galerie Vallotton, Maîtres suisses et français, Ausstellungskatalog, Lausanne 1979-80, Nr. 36, abgebildet; Thierry Davila, La Côte d'Azur et la modernité 1918-1958. A l'épreuve de la lumière, hrsg. Réunion des musées nationaux, Ausstellungskatalog, Paris 1997, Nr. 60, S. 44f, Nr. 243, abgebildet; Jean-Paul Potron, Paysages de Cagnes, Antibes, Juan-les-Piins du XVIIIe siècle, Nizza 2002, S. 148f, abgebildet; Marina Ducrey, unter der Mitarbeit von Katia Poletti, Félix Vallotton 1865-1925, l'oeuvre peint, catalogue raisonné, Bd. III, Lausanne/Zürich/Milan 2005, S. 743, Nr. 1382, abgebildet (in Farbe); Katia Poletti, "Du songe et de l’irréel: les paysages de Félix Vallotton à Cagnes", in: Au fil des collections, de Tiepolo à Degas, Ausstellungskatalog, Lausanne/Milan 2012, S. 119, S. 116, 127, abgebildet
