Top-100 artists:
We use our proprietary AI - LiveArt Estimate™ to calculate current market value for each artwork. Based on this data LiveArt is able to provide numerous insights into artist and artwork financial performance, including:
See the measure of artist investment performance relative to risk. A higher ratio suggests better risk-adjusted returns, indicating more consistent performance with less risk.
Explore the most prolific periods in an artist's career based on artwork production volume and current market value. It also segments these periods by category, offering insights into when the most valuable pieces were created in each category.
Free to sign up. No credit card required.
| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Jan 28, 2016 | Sotheby's | New York | The Road to Rome: Property from a Distinguished Italian Private Collection, Part I | 327 | $****** - ****** | Portrait of a gentleman, three Quarter Length, in a gold silk Frock Coat and Blue Cloak, Possibly Paolo Gerolamo II Pallavicini |
paintings
130.5 x 107.5 cm (51.38 x 42.32 in)
oil on canvas
Anonymous sale, Paris, Hôtel Drouot, 15 June 1911, lot 74
. Claudon
. By whom sold, Paris, 23 June 1926, lot 47
. Henri Leroux
. By whom sold, Paris, Palais Galliéra, 23 March 1968, lot 79
. Anonymous sale, Paris, Christie's, 8 November 2005, lot 323. where acquired.
Paris, Galerie André Seligmann, Portraits français de 1400 à 1900, 9 June - 1 July 1936, no. 38;. Paris, Galerie Drouin, Le Portrait Français, June - July 1943, no. 56;. Paris, Galerie Charpentier, Cent Portraits d'Hommes, 1952 (according to a label on the reverse).
M. Granet and J.B. Isabey, Notice des dessins dans les galeries du Musée Royal du Louvre, Paris 1840, cat. no. 1255;. G. van Derveer Gallenkamp, Hyacinthe Rigaud, PhD thesis, Harvard University, Cambridge Mass. 1956, p. 350;. J.F. Mejanès in R. Bacou (ed.), Dessins français du XVIII siècle, de Watteau à Lemoyne, exhibition catalogue, Paris 1987, p. 28, under cat. no. 30;. E. Coquery, Visages du Grand Siècle: le portrait français sous le règne de Louis XIV, 1660-1715, exhibition catalogue, Paris 1997, p. 246, under cat. no. 95;. D. Brême, Hyacinthe Rigaud dessinateur: L'estampille objet d'art, exhibition catalogue, Dijon 2000, p. 42;. D. Sanguineti in D. Sanguinetti and P. Caretta (eds), "Il ritratto di Suzanne Henriette d'Elbeuf di Rigaud a Genova: Fortuna dei modelli francesi e indagine sulla ritrattistica genovese del Settecento", in Suzanne Henriette d'Elbeuf, ultima duchessa di Mantova. Storia di un ritratto e della sua fortuna, Mantua 2001, p. 42;. A. James-Sarazin in P. Boccardo, C. Di Fabbio and P. Senechal (eds.), Genova e la Francia: Opere, artisti, committenti, collezionisti, Milan 2003, pp. 205-219;. D. Sanguineti, Genovesi in posa, Appunti sulla ritrattistica tra fine Seicento e Settecento, Genoa 2011, pp. 32-33; . S. Perreau, Hyacinthe Rigaud, Catalogue concis de l'oeuvre, Sète 2013, p. 173, cat. no. P.771, reproduced p. 173, fig. 771 and plate III, fig 771.
