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| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Jan 28, 2015 | Sotheby's | New York | Old Master Drawings | 182 | $****** - ****** | Une Grand'Maman |
Works on Paper
23.5 x 29.8 cm (9.25 x 11.73 in)
pen and black ink and gray wash over traces of black chalk
signed, lower left: h.D. (looks like lower case d) - check how others are signed/catalogued)
Madame Pierre Bureau, by 1878,. thence by descent to her son, Paul Bureau, Paris,. by whose Estate sold, Paris, Galerie Georges Petit, 20 May 1927, lot 55
. Otto Gerstenberg (1848-1935), Berlin,. thence by descent to his daughter, Frau Margarethe Scharf, Berlin,. thence by descent to her son, Dieter Scharf (1926-2001), Hamburg
. with Nathan, Zurich
. with Paul Rosenberg & Co., New York, by 1963
. Mr. Rodolphe Meyer de Schauensee, Devon, PA, until 1984,. thence by inheritance to his widow, Williamina Meyer de Schauensee (née Wentz), Devon, PA,. by whose Estate sold, New York, Christie's, 15 November 1990, lot 107,. where acquired by the present owner
Paris, Galeries Durand-Ruel, Expositions des peintures et dessins de H. Daumier, 1878, no. 122. Paris, Palais de l'École des Beaux-Arts, Exposition Daumier, 1901, no. 139
A. Alexandre, Honoré Daumier, l'homme et son oeuvre, Paris 1888, p. 377;. E. Klossowski, H. Daumier, Paris 1914, p. 113, under no. 295A;. E. Fuchs, Der Maler Daumier, Munich 1927, p. 56, under no. 228a;. R. Escholier, Daumier, Paris 1930, p. 262, under no. 70, reproduced;. K.E. Maison, Honoré Daumier: Catalogue Raisonné of the Paintings, Watercolors and Drawings, London 1967, vol. II, p. 242, no. 727, reproduced p. 12, fig. 3 (detail) and pl. 286;. B. Laughton, Honoré Daumier, New Haven and London 1996, p. 120, fig. 151, reproduced;. A. Pophanken and F. Billeter, Die Moderne und ihre Sammler. Französische Kunst in Deutschem Privatbesitz vom Kaiserreich zur Weimarer Republik, Berlin 2001 (cited by T.W. Gaehtgens and J. Scharf, Die Sammlung Otto Gerstenberg, p. 179);. B. Echte and W. Feilchenfeldt, 'Das Beste aus aller Welt zeigen,' Kunstsalon Bruno and Paul Cassirer. Die Ausstellungen 1898-1901, Wädenswil 2011;. J. Scharf et al., Die historische Sammlung Otto Gerstenberg, Ostfildern 2012, p. 41, no. 182, reproduced; and, in the same publication: C. Keisch, "Auch eine "Allégorie réelle": Daumiers Die diebe und der esel", pp. 226 & 239, note 11
