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| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
May 17, 2018 | Christie's | New York | Impressionist and Modern Art Day Sale | 389 | $****** - ****** | Le dernier romantique |
paintings
68 x 50.2 cm (26.75 x 19.75 in)
oil on paper laid down on canvas
signed 'G Rouault' (lower right), signed again and titled 'G. Rouault Le dernier romantique' (on the reverse)
Ambroise Vollard, Paris (acquired from the artist, May 1937).
Ruth and Harry Bakwin, New York (by 1940); sale, Sotheby Parke Bernet, Inc., New York, 20 October 1976, lot 66.
Acquired at the above sale by the present owner.
Paris, Petit Palais, Les maîtres de l'art indépendant, 1895-1937, June-October 1937, p. 40, no. 41.
San Francisco, Palace of Fine Arts, Golden Gate International Exposition, 1940, p. 85, no. 695.
New York, The Museum of Modern Art and Chicago, Renaissance Society, Georges Rouault: Paintings and Prints, 1945, p. 129, no. 76 (illustrated, p. 95).
Baltimore Museum of Art, Themes and Variations in Painting and Sculpture, April-May 1948, p. 55, no. 17 (illustrated, p. 21).
Brussels, Palais des Beaux-Arts and Amsterdam, Stedelijk Museum, Georges Rouault, May-June 1952, p. 54, no. 36 (illustrated, p. 37).
Paris, Musée national d'art moderne, Georges Rouault, July-October 1952, p. 27, no. 54 (illustrated, pl. XI).
New York, The Museum of Modern Art; The Cleveland Museum of Art and Los Angeles County Museum of Art, Rouault: Retrospective Exhibition, March-August 1953, p. 29.
Milan, Galleria d'arte moderna, Mostra di Georges Rouault, April-June 1954, p. 19, no. 58 (illustrated, p. 20).
Edinburgh, The Royal Scottish Academy and London, Tate Gallery, Rouault, August-November 1966, p. 51, no. 71 (illustrated).
New York, Wildenstein & Co. Inc., The Dr. and Mrs. Harry Bakwin Collection, October-November 1967, p. 55, no. 35 (illustrated, p. 35; dated circa 1935).
Paris, Musée national d'art moderne, Georges Rouault: Exposition du Centenaire, May-September 1971, p. 94, no. 45 (illustrated in color, p. 95; with incorrect support).
New York, Mitchell-Innes & Nash, Georges Rouault: Judges, Clowns and Whores, May-June 2007, p. 56, no. 26 (illustrated; illustrated again, p. 29).
Boston College, McMullen Museum of Art, Mystic Masque: Semblance and Reality in Georges Rouault, August-December 2008, p. 555, no. 50 (illustrated in color).
M. Dormoy and W. George, "Georges Rouault: oeuvres inédites," La Renaissance, October-December 1937 (illustrated).
L. Venturi, Rouault, Paris, 1959, p. 90 (illustrated in color, p. 88).
P. Courthion, Rouault, New York, 1962, p. 437, no. 352 (illustrated).
J. Kind, Georges Rouault, New York, 1969.
B. Dorival and I. Rouault, Rouault: L'oeuvre peint, Monte-Carlo, 1988, vol. II, p. 144, no. 1827 (illustrated).
C. Wistar, La Salle University Art Museum: Guide to the Collection, Philadelphia, 2002, p. 97 (illustrated; with incorrect support).
signed 'G Rouault' (lower right); signed again and titled 'G. Rouault Le dernier romantique' (on the reverse)
oil on paper laid down on canvas
26 ¾ x 19 ¾ in. (68 x 50.1 cm.)
Painted in 1937
