Top-100 artists:
We use our proprietary AI - LiveArt Estimate™ to calculate current market value for each artwork. Based on this data LiveArt is able to provide numerous insights into artist and artwork financial performance, including:
See the measure of artist investment performance relative to risk. A higher ratio suggests better risk-adjusted returns, indicating more consistent performance with less risk.
Explore the most prolific periods in an artist's career based on artwork production volume and current market value. It also segments these periods by category, offering insights into when the most valuable pieces were created in each category.
Free to sign up. No credit card required.
| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Oct 16, 2019 | Sotheby's | Paris | Modernités | 7 | $****** - ****** | ADAM ET EVE |
paintings
100.4 x 81.2 cm (39.53 x 31.97 in)
oil on canvas
signed Picabia and dated 1911 (upper centre)
Kleinman collection, Paris
Galerie Berri, Paris
Simone Collinet (Galerie Furstenberg), Paris (1962-1979)
Thence by descent to the present owner (since 1980)
Rouen, Société Normande de Peinture Moderne, IIe exposition, 1911, no. 88 (probably)
Paris, Galerie Furstenberg, Exposition Picabia, 1956, no. 3
London, The Matthiesen Gallery, Francis Picabia 1879-1953, 1959, no. 15
Paris, Galerie Mona Lisa, Picabia vu en transparence, 1961, no. 11, illustrated in the catalogue np.
Marseilles, Musée Cantini, Picabia, 1962, no. 16
Bern, Kunsthalle, Francis Picabia 1879-1953: Werke von 1909-1924, 1962 (probably)
Grenoble, Musée de Peinture et de Sculpture, Albert Gleizes et tempête dans les salons 1910-1914, 1963, no. 43
Newcastle upon Tyne, Hatton Gallery; London, Institute of Contemporary Arts, Francis Picabia, 1964, no. 6, illustrated in the catalogue np.
Paris, Galerie Furstenberg, Francis Picabia 1879-1953, 1964, no. 8
Leverkusen, Städtisches Museum Schloss Morsbroich; Eindhoven, Stedelijk Van Abbemuseum, Francis Picabia, 1967, no. 7
New York, The Solomon R. Guggenheim Museum; Cincinnati, Cincinnati Art Museum; Toronto, Art Gallery of Ontario; Detroit, The Detroit Institute of Arts, Francis Picabia, 1970-71, no. 19, illustrated in the catalogue p. 63
Turin, Galleria Civica d'Arte Moderna, Francis Picabia, Mezzo secolo di avanguardia, 1974-75, no. 17, illustrated in the catalogue p. 37 et np.
Düsseldorf, Städtische Kunsthalle; Zurich, Kunsthaus, Francis Picabia, 1983-84, no. 9, illustrated in the catalogue p. 38
Stockholm, Moderna Museet, Francis Picabia, 1984, no. 8, illustrated in the catalogue p. 16
Madrid, Salas Pablo Ruiz Picasso; Barcelona, Centro Cultural de la Caixa de Pensions, Francis Picabia (1879-1953), Exposiciό antolόgica, 1985, no. 20, illustrated in the catalogue p. 125
Nîmes, Musée des Beaux-Arts, Francis Picabia, 1986, no. 17, illustrated in the catalogue p. 37
Paris, Musée d'Art Moderne de la Ville de Paris, Passions privées, collections particulières d'art moderne et contemporain en France, 1995-96, no. A 21-1, illustrated in the catalogue p. 243 and p. 244
Tokyo, Isetan Museum of Art; Fukushima, Iwaki City Art Museum; Osaka, The Museum of Art, Kintetsu, Francis Picabia, 1999-2000, no. 006, illustrated in the catalogue p. 56
Paris, Musée d'Art moderne de la Ville de Paris, Francis Picabia, Singulier idéal, 2002-03, illustrated in the catalogue p. 147
London, Tate Modern; Barcelona, Museu Nacional d'Art de Catalunya, Duchamp, Man Ray, Picabia, 2008, illustrated in the catalogue fig. 6 p. 13
Paris, Centre Pompidou, Marcel Duchamp la peinture, même, 2014-15, illustrated in the catalogue p. 78
Zurich, Kunsthaus; New York, The Museum of Modern Art, Francis Picabia, notre tête est ronde pour permettre à la pensée de changer de direction, 2016-17, illustrated in the catalogue pl. 8 p. 39
G. D., "Exposition de la Société Normande de Peinture moderne", in Journal de Rouen, no. 128, May 8, 1911, mentioned p. 2
Marc Le Bot, Francis Picabia et la crise des valeurs figuratives 1900-1925, Paris, 1968, no. 13, illustrated np.
William A. Camfield, Francis Picabia, His Art, Life and Times, Princeton, 1979, no. 47, mentioned p. 22 and illustrated np.
Virginia Spate, Orphism, The evolution of non figurative painting in Paris 1910-1914, Oxford, 1979, no. 216, mentioned p. 287 and illustrated p. 288
Marie Lluïsa Borràs, Picabia, Paris, 1985, cat no. 111, fig. 218, mentioned p. 89 and illustrated p. 123
Francis Picabia (exhibition catalogue), Vence, 1998, illustrated p. 19
Arnauld Pierre, Francis Picabia, La peinture sans aura, Paris, 2002, no. 29, illustrated p. 73
Pierre Calté, William A. Camfield, Beverley Calté, Candace Clements & Arnauld Pierre, Francis Picabia, Catalogue raisonné 1898-1914, Brussels, 2014, vol. I, no. 416, illustrated p. 316
signed Picabia and dated 1911 (upper centre)
oil on canvas
100,4 x 81,2 cm; 39 1/2 x 32 in.
Painted in 1911.
