on the artist, Norbert Lynton comments:~~'The main difference between these late paintings and their early precursors is of course the new works' concentration on just a few items: a fish on a plate where there were several, a plate with a few green beans where they would have been accompanied by many other kitchen items. The tabletop is almost always up-ended now to fill the surface as a ground, and thus loses its connotation. An exception is Orchard of Pears No. 6 (1976-77), in which three pears are on a plate and two are beside it, on a grey ground that may represent a table.' (Norbert Lynton, William Scott, Thames and Hudson, London, 2004, p.354).~~In keeping with Lynton's observations, Still Life on Brown with Beans simply incorporates four vertical beans and a bowl. Whilst it is likely the brown background is representative of a tablecloth, this is not implicit and the movement of a bean off the canvas together with the linear nature of the bowl lends a minimalist abstraction to the picture.