Top-100 artists:
We use our proprietary AI - LiveArt Estimate™ to calculate current market value for each artwork. Based on this data LiveArt is able to provide numerous insights into artist and artwork financial performance, including:
See the measure of artist investment performance relative to risk. A higher ratio suggests better risk-adjusted returns, indicating more consistent performance with less risk.
Explore the most prolific periods in an artist's career based on artwork production volume and current market value. It also segments these periods by category, offering insights into when the most valuable pieces were created in each category.
Free to sign up. No credit card required.
| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Nov 16, 2016 | Christie's | New York | Post-War & Contemporary Art Evening Sale | 26A | $****** - ****** | Olin MK IV Part 2 |
paintings
289.9 x 200 cm (114.13 x 78.75 in)
oil on canvas
Victoria Miro Gallery, London
Acquired from the above by the present owner, 1996
London, Victoria Miro Gallery, Peter Doig: Freestyle, February–March 1996.
Bremen, Gesellschaft für Aktuelle Kunst, Peter Doig: Homely, June-August 1996 (illustrated in color).
Museum of Modern Art Oxford, About Vision: New British Painting in the 1990s, November 1996-February 1997, n.p. (illustrated in color).
Kunsthalle zu Kiel, Kunsthalle Nürnberg and London, Whitechapel Art Gallery, Peter Doig Blizzard seventy-seven, March-August 1998, pp. 18 and 134 (illustrated in color).
Vancouver, University of British Columbia, Morris and Helen Belkin Art Gallery; Ottawa, National Gallery of Canada and Toronto, The Power Plant, Peter Doig, January 2001-March 2002 (studio view illustrated in color on the cover).
Tokyo, Mori Art Museum, Happiness: A Survival Guide for Art and Life, October 2003-January 2004, p. 82, no. 63 (illustrated in color).
London, Hayward Gallery and Turin, Castello di Rivoli, Museum of Contemporary Art, The Painting of Modern Life, October 2007-February 2008, pp. 128-129 and 192, no. 14 (illustrated in color).
Alpenblick–Die zeitgenössische Kunst und das Alpine, exh. cat., Vienna, Kunsthalle Wien, 1997 (illustrated in color).
A. Moszynska, "Daytime Astronomy," Tate Magazine, issue 15, Summer 1998, p. 32.
G. Witt, Skisport in der bildenden Kunst, Leipzig, 2005, pp. 72-73 (illustrated in color).
L. Wainwright, P. Doig and C. Ofili, "Art: Interview, Peter Doig & Chris Ofili," BOMB, no. 101, Fall 2007, pp. 32-41.
