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| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Oct 7, 2017 | Christie's | London | Post-War and Contemporary Art Evening Auction | 23 | $****** - ****** | Love Lost | |||
Nov 10, 2005 | Phillips | New York | Contemporary Art - Part I | 22 | $****** - ****** | Love lost |
sculpture
355.6 x 213.4 x 213.4 cm (140 x 84 x 84 in)
glass, painted steel, silicone, water, aquarium system, live fresh water fish, gravel, gynaecologist’s chair, stainless steel table, computer, keyboard, monitor, stool, mug, watch, spectacles and pewter rings
Gagosian Gallery, New York.
Saatchi Collection, London. (acquired in 2001).
Anon. sale, Phillips New York, 10 November 2005, lot 22.
Acquired at the above sale by the present owner.
New York, Gagosian Gallery, Damien Hirst: Theories, Models, Methods, Approaches, Assumptions, Results and Findings, 2000, pp. 10-11, 13, 18, 146 (illustrated in colour, pp. 8-9).
London, Saatchi Gallery, Damien Hirst, 2003.
G. Burn, ‘The Knives are Out’, in The Guardian, 10 April 2000.
A. Smith, ‘Three Lions’, in The Guardian, 21 May 2000.
J. Walsh, "There Is Nothing Like a Damien", in The Independent, 10 September 2000.
A. C. Danto, ‘Death In The Gallery’, in The Nation, 2 November 2000, p. 40 (titled Love Lost (Large River Fish)).
P. Schjeldahl, ‘British Flash: Having Fun with Bridget Riley and Damien Hirst’, in The New Yorker; 6 November 2000, p. 104.
D. Rimanelli, ‘Damien Hirst, Gagosian Gallery New York’, in Artforum, December 2000, p. 139 (installation view illustrated in colour: titled and incorrectly dated Love Lost (Large River Fish), 2000; detail illustrated on the front cover).
N. Sales, ‘Damien Hirst’, in Vanity Fair, December 2000, p. 359 (illustrated in colour, p. 205).
Booth-Clibborn (ed.), Damien Hirst: Pictures from the Saatchi Gallery, 28 Tablets, London 2001, p. 80 (illustrated in colour, pp. 77-79).
D. Hirst and G. Burn, On the Way to Work, London 2001, p. 145.
U. Grosenick and B. Riemschneider (eds.), Art Now: 137 Artists at the Rise of the New Millennium, Cologne 2002, p. 202, no. 2 (illustrated in colour: incorrectly catalogued as Lost Love).
M. Kennedy, ‘Hirst's Latest Installed at the new Saatchi Gallery’, in The Guardian, 22 March 2003 (detail illustrated).
A. Farquharson, 'Saatchi Gallery', in Frieze, Issue 76, June-August 2003, p. 128 (incorrectly dated 2002).
glass, painted steel, silicone, water, aquarium system, live fresh water fish, gravel, gynaecologist’s chair, stainless steel table, computer, keyboard, monitor, stool, mug, watch, spectacles and pewter rings
140 x 84 x 84in. (357 x 213 x 213cm.)
Executed in 1999
