Top-100 artists:
We use our proprietary AI - LiveArt Estimate™ to calculate current market value for each artwork. Based on this data LiveArt is able to provide numerous insights into artist and artwork financial performance, including:
See the measure of artist investment performance relative to risk. A higher ratio suggests better risk-adjusted returns, indicating more consistent performance with less risk.
Explore the most prolific periods in an artist's career based on artwork production volume and current market value. It also segments these periods by category, offering insights into when the most valuable pieces were created in each category.
Free to sign up. No credit card required.
| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Nov 19, 2024 | Sotheby's | New York | Modern Day Auction | 328 | $****** - ****** | Le Tabarin ou Cabaret à Paris | |||
Dec 2, 2008 | Christie's | Paris | Art Impressioniste et Moderne | 14 | $****** - ****** | Le Tabarin ou Cabaret à Paris |
paintings
26.7 x 61.9 cm (10.5 x 24.38 in)
oil on canvas
signed Émile Bernard and dated 1889 (lower center)
Vasella Collection, Zurich (acquired directly from the artist)
Tino Alfredo Vasella, Zurich (acquired by descent from the above)
Samuel Josefowitz, Switzerland (acquired in September 1986)
Christie"s, Paris, 2 December 2008, lot 14 (consigned by the above)
Acquired at the above sale by the present owner
Tokyo, Sunshine Museum; Osaka Municipal Museum of Fine Arts and Fukuoka Art Museum, Ukiyo-e Prints and the Impressionist Painters: Meeting of the East and the West , 1979-80, no. I-96, pp. 147 and 195, illustrated
Mannheim, Städtische Kunsthalle and Amsterdam, Van Gogh Museum, Émile Bernard 1868-1941, A Pioneer of Modern Art , 1990, no. 39, pp. 171-72, illustrated in color (titled Le Café-cabaret and dated 1889)
Tokyo, Bunkamura Museum of Art; Kyoto, National Museum of Modern Art; Hokkaido Museum of Modern Art; Mie, Prefectural Art Museum and Koriyama City Museum of Art, Gauguin et l"Ècole de Pont-Aven , 1993, no. 33, p. 54, illustrated in color (titled Le Tabarin, Café-cabaret, Paris and dated 1889)
Sydney, Art Gallery of New South Wales, Gauguin and the Pont-Aven School , 1994, no. 34, p. 64, illustrated in color
Indianapolis Museum of Art; Baltimore, The Walters Art Gallery; Musée des Beaux-Arts de Montréal; Memphis, The Dixon Gallery and Gardens; San Diego Museum of Art; Portland Museum of Fine Arts; Boston Museum of Fine Arts and Jerusalem, The Israel Museum, Gauguin and the School of Pont-Aven , 1994-97, no. 34, p. 66, illustrated in color (titled Le Tabarin, Café-Cabaret, Paris and dated 1889)
Darmstadt, Mathildenhöhe Stadtmuseum, Symbolism and Art Nouveau in France , 2000, no. 18, p. 40 (titled Le Tabarin, Café-cabaret, Paris and dated 1889)
Saint Louis Art Museum and Frankfurt, Städel Museum, Vincent van Gogh and the Painters of the Petit Boulevard , 2001, p. 62, illustrated in color (titled Au Cabaret and dated 1889)
Jean-Jacques Luthi, Émile Bernard, Catalogue raisonné de l"oeuvre peint , Paris, 1982, no. 145, pp. 28-29, illustrated (titled Cabaret à Paris and dated 1888)
Property from a Distinguished Private Collection, North America
Émile Bernard
1868 - 1941
Le Tabarin ou Cabaret à Paris
signed Émile Bernard and dated 1889 (lower center)
oil on canvas
10 ½ by 24 ⅜ in.
25.4 by 60.9 cm.
Executed circa 1888-89.
Béatrice Recchi Altarriba has kindly confirmed the authenticity of this work.
