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| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Oct 14, 2008 | Sotheby's | New York | Photographs | 68 | $****** - ****** | Monolith, The Face Of Half Dome |
photographs
20.3 x 15.3 cm (7.99 x 6.02 in)
parmelian print
signed 'A. E. Adams' and numbered '371' by the photographer in pencil in the margin, with 'Parmelian Print by Ansel Easton Adams' on the front wrapper and 'This Parmelian Print by Ansel Easton Adams of San Francisco is no. __,' numbered '371' by the photographer in pencil, on the rear wrapper
Acquired from the photographer, 1940s
Other prints of this image:Ansel Adams (Morgan & Morgan, 1972), pl. 8. Nancy Newhall, Ansel Adams: The Eloquent Light, Photographs 1923-1963 (Sierra Club, 1963), dust jacket and p. 45. Karen E. Quinn and Theodore E. Stebbins, Jr., Ansel Adams: The Early Years (Boston: Museum of Fine Arts, 1991, in conjunction with the exhibition), pl. 6. Ansel Adams with Mary Street Alinder, Ansel Adams: An Autobiography (Boston, 1985), p. 75. Karen E. Haas and Rebecca A. Senf, Ansel Adams in the Lane Collection (Boston: Museum of Fine Arts, 2005, in conjunction with the exhibition), pl. 5. James Alinder and John Szarkowski, Ansel Adams: Classic Images (Boston, 1985), pl. 2. Therese Thau Heyman, ed., Seeing Straight: The f.64 Revolution in Photography (The Oakland Museum, 1992, in conjunction with the exhibition), p. 44. Mary Street Alinder, Ansel Adams: A Biography (New York, 1996), facing p. 106. Ansel Adams, Examples: The Making of 40 Photographs (Boston, 1983), p. 2.
