Top-100 artists:
We use our proprietary AI - LiveArt Estimate™ to calculate current market value for each artwork. Based on this data LiveArt is able to provide numerous insights into artist and artwork financial performance, including:
See the measure of artist investment performance relative to risk. A higher ratio suggests better risk-adjusted returns, indicating more consistent performance with less risk.
Explore the most prolific periods in an artist's career based on artwork production volume and current market value. It also segments these periods by category, offering insights into when the most valuable pieces were created in each category.
Free to sign up. No credit card required.
| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Feb 26, 2019 | Sotheby's | London | Impressionist & Modern Art Evening Sale | 6 | $****** - ****** | Le Palais Ducal |
paintings
81 x 93 cm (31.89 x 36.61 in)
oil on canvas
signed Claude Monet and dated 1908 (lower right)
Galerie Durand-Ruel & Galerie Bernheim-Jeune, Paris (jointly acquired from the artist on 8th March 1913)
Paul Cassirer, Berlin (on consignment from the above from 1914)
Hans Wendland, Berlin (acquired from the above on 19th January 1918)
Galerie Thannhauser, Lucerne, Berlin & Munich (acquired from the above on 4th September 1924)
Erich Goeritz, Berlin & London (acquired from the above on 1st April 1926
Deposited in the Toronto Art Gallery, Toronto, from 1946 until 1950)
Thomas Goeritz, London (by descent from the above circa 1957)
Thence by descent to the present owner.
Paris, Galerie Manzi-Joyant, Art moderne, 1913, no. 72Bremen, Kunsthalle, Internationale Ausstellung, 1914, no. 250, illustrated in the catalogue
Dresden, Galerie Ernst Arnold, Französische Malerei des 19. Jahrhunderts, 1914, no. 77
London, Tate Gallery, Claude Monet, 1957, no. 110, illustrated in the catalogue
London, Marlborough Fine Art Ltd., A Great Period of French Painting, 1963, no. 22, illustrated in the catalogue
London, Wildenstein, The French Impressionists and some of their Contemporaries, 1963, no. 45, illustrated in the catalogue
London, Wildenstein, Venice Rediscovered, 1972, no. 25, illustrated in the catalogue
Tokyo, Musée National d’Art Occidental & Kyoto, Musée National d’Art Moderne, Monet, 1982-83, no. 52, illustrated in colour in the catalogue (titled Le Palais des Doges, Venice)
London, National Gallery, Monet and Architecture, 2018, no. 189, illustrated in colour in the catalogue
Gustave Geffroy, ‘La Venise de Claude Monet’, in La Dépêche de Toulouse, 30th May 1912, p. 1Wilken von Alten, ‘Die Internationale Ausstellung in der Bremer Kunsthalle’, in Kunst und Künstler, 1914, p. 386
Emil Waldmann, ‘Notizen zur Franz. Ausstellung in Dresden’, in Kunst und Künstler, April 1914, pp. 389-392
Lionello Venturi, Les Archives de l’Impressionnisme, Paris & New York, 1939, vol. I, mentioned pp. 434-437
René Jullian, ‘Les Impressionnistes français et l’Italie’, in Publications de l’Institut français de Florence, Florence & Paris, 1968, N.II-11, p. 19
Grace Seiberling, Monet’s Series, New York & London, 1981, no. 13, pp. 210 & 380
Daniel Wildenstein, Claude Monet. Biographie et catalogue raisonné, Lausanne & Paris, 1985, vol. IV, no. 1744, illustrated p. 235; mentioned in letters nos. 2028, 2057-2059, pp. 386 & 387
Philippe Piguet, Monet et Venise, Paris, 1986, no. 9, illustrated p. 75
Daniel Wildenstein, Monet, Catalogue raisonné, Cologne, 1996, vol. IV, no. 1744, illustrated p. 813
signed Claude Monet and dated 1908 (lower right)
oil on canvas
81 by 93cm.
31 7/8 by 36 5/8 in.
Painted in 1908.
