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| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Jan 29, 2020 | Sotheby's | New York | Master Paintings Evening Sale | 52 | $****** - ****** | THE TOWN AND LAKE AT COMO |
paintings
29 x 42 cm (11.42 x 16.54 in)
oil on canvas
stamped lower left: VENTE / COROT
The artist;
His posthumous sale, Paris, Hotel Drouot, 26-28 May 1875, lot 83;
There acquired by Hector Brame, Paris;
Jules Paton, Paris;
His sale, Paris, Hotel Drouot, 24 April 1883, lot 39, for 1,850 francs;
There acquired by Comte Armand Doria, Paris;
His sale, Paris, Galerie Georges Petit, 4-5 May 1899, lot 58, for 16,300 francs;
Pierre Peytel, Paris;
Captain Edward Molyneux, Paris;
With Lefevre Gallery, London;
Albert D. Lasker, New York, by 1951;
Thence by descent to his wife Mrs Albert D. Lasker, New York;
With Lefevre Gallery, London;
With Acquavella Galleries, New York, 1977;
Tom Fee, United States, by 1989;
With Lefevre Gallery, London;
Richard M. Thune, Greenwich, Connecticut;
With Salander-O'Reilly Galleries, New York;
From whom purchased by a private collector.
E. Michel, Corot, Paris 1905, p. 22;
A. Robaut, L'Œuvre de Corot, Paris 1905, vol. II, pp. 108-09, cat. no. 308, reproduced, and vol. IV, p. 201, cat. no. 83;
E. Moreau-Nelaton, Corot: raconté par lui-même, Paris 1924, vol. I, pp. 36-37;
É. Faure, Corot, Paris 1931, reproduced plate 18;
R. Jean, Corot, Paris 1931, reproduced plate 15;
G. Bazin in L'Amour de l'Art, February 1936, p. 47, reproduced fig. 24;
G. Bazin, Corot, Paris 1942, reproduced plate 41;
J.-B.-C. Corot, Corot: raconté par lui-même et par ses amis. Pensées et écrits du peintre, Geneva 1946, vol. 1, p. 222, cat. no. 9, reproduced opposite p. 97;
G. Bazin, Corot, Paris 1951, p. 123, cat. no. 49, reproduced plate 49;
W. Brockway and A. Frankfurter, The Albert D. Lasker Collection: Renoir to Matisse, New York 1957, p. 5, reproduced plate 5;
F. Fosca, Corot: sa vie et son oeuvre, Brussels 1958, p. 219;
J. Leymarie, Corot: Étude biographique et critique, Geneva 1966, p. 55, reproduced;
G. Bazin, Corot, Paris 1973, p. 280;
J. Leymarie, Corot, London 1979, p. 48, reproduced;
J. Selz, La Vie et l'œuvre de Camille Corot, Paris 1988, pp. 80, 92, reproduced;
P. Galassi, Corot in Italy: Open-Air Painting and the Classical-Landscape Tradition, London and New Haven 1991, p. 215, reproduced plate 271;
M. Clarke, Corot and the Art of Landscape, London 1991, p. 47, reproduced in color;
G. Tinterow, M. Pantazzi and V. Pomarède, Corot, exh. cat., New York 1996, pp. 132-33, no. 57, reproduced;
R. Schiff, 'Natural, Personal, Pictorial: Corot and the Painter's Mark', in Barbizon: Malerei der Natur - Natur der Malerei, Munich 1999, pp. 123 and 130, reproduced p. 218, plate 16;
V. Pomarède, 'Théodore Caruelle d'Aligny', in Paysages d'Italie: les peintres du plein air, exh. cat., Paris 2001, p. 173, under no. 108;
R. Schiff, 'Expression: Natural, Personal, Pictorial', in A Companion to Art Theory, Hoboken 2008, pp. 167-68, reproduced plate 13.1.
Property from a Private New York Collection
stamped lower left: VENTE / COROT
oil on canvas
11⅜ by 16½ in.; 29 by 42 cm.
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