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| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Jan 26, 2012 | Sotheby's | New York | Important Old Master Paintings and Sculpture | 26 | $****** - ****** | Rest On The Flight Into Egypt |
paintings
38.4 x 32.4 cm (15.12 x 12.76 in)
oil on panel, en grisaille
With the mark of the Antwerp panel-makers guild on the reverse (see Fig. 1)
Peter Snyers, Antwerp, by whom most likely inherited from Hendrik Snyers, who made an engraving after the painting)
His sale, Antwerp, 22 August 1752, lot 3
Anonymous sale, Antwerp 23 or 25 August 1762, lot 9
Alfred Schindler, Vienna
His sale, Amsterdam, Fredrik Muller & Co., 13 July 1926, lot 664
With Cassirer, Amsterdam
A.W. Volz, The Hague
Charles Volz, Kelsale Manor, Suffolk, England
Mrs. Elizabeth A. Jarrett (née Volz), England, 1968
Private Collection, Switzerland
With Richard Feigen & Co., London and New York, by 1988
From whom acquired by the present owner.
G. Hoet, Catalogus of naamlyst van schilderyen, The Hague 1770, vol. III, p. 61;; G. Gluck, Van Dyck des Meisters Gemälde, 2nd revised edition, Stuttgard and Berlin 1931, Vienna 1926, p. 543, no. S.225;; L. Burchard in Catalogue of the Exhibition of the King's Pictures: 1946-47, Royal Academy of Arts, London, 1946, under no. 292;; H. Vey, "Anton van Dycks Ölskizzen," in Bulletin of the Koninklijke Musea voor Schone Kunsten, Brussels, no. 3-4, September-December 1956, p. 186, reproduced p. 188, fig. 15;; E. Larsen, L'Opera completa di Van Dyck, 1626-1641, Milan 1971, p. 104, no. 704, reproduced p. 103 (with some doubts about the attribution to Van Dyck);; O. Millar, The Tudor, Stuart and Early Georgian Pictures in the Collection of Her Majesty the Queen, London 1969, pp. 102-103, under no. 161, reproduced fig. 28 (as probably Van Dyck);; J. Held, Flemish and German Paintings in the Detroit Institute of the Arts, Detroit 1982, p. 45 (as a variant of Van Dyck's original);; E. Larsen, The Paintings of Anthony Van Dyck, Freren 1988, vol. 1, p. 473; vol 2, p. 263, no. 643, reproduced p. 262 (with doubts about the attribution to Van Dyck);; Seven Highly Important Pictures Including Annibale Carracci's The Madonna and Child with Saint Lucy and the Young Saint John the Baptist, London 1990, no. 5.; A. Balis, "Van Dyck: Some Problems of Attribution," in Van Dyck 350, S. Barnes and A. Wheelock, eds., Washington and Hanover 1994, p. 192 (as by Van Diepenbeeck, though never seen in person);; G. Luijten, in Anthony Van Dyck as a Printmaker, exh. cat. Antwerp and Amsterdam 1999-2000, New York 1999, p. 228, reproduced (as by Van Diepenbeeck, though never seen in person);; C. Depauw, ed., Anthony van Dyck, Part VII in The New Hollstein. Dutch and Etchings, Engravings and Woodcuts, 1450-1700, p. 173, under no. 543, (as by Van Diepenbeeck, though never seen in person);; H. Vey in S. Barnes et. al., Van Dyck: A Complete Catalogue of the Paintings, New Haven and London 2004, pp. 253-254, under no. III.10 (leaning toward the attribution to Van Diepenbeeck);; A. Diels, The Shadow of Rubens, Print Publishing in 17th-century Antwerp, London/Turnhout 2009, p. 194 (as Van Diepenbeek, though never seen in person).; ENGRAVED:; By Hendrik Snyers in reverse, circa 1642.
