Top-100 artists:
We use our proprietary AI - LiveArt Estimate™ to calculate current market value for each artwork. Based on this data LiveArt is able to provide numerous insights into artist and artwork financial performance, including:
See the measure of artist investment performance relative to risk. A higher ratio suggests better risk-adjusted returns, indicating more consistent performance with less risk.
Explore the most prolific periods in an artist's career based on artwork production volume and current market value. It also segments these periods by category, offering insights into when the most valuable pieces were created in each category.
Free to sign up. No credit card required.
| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Nov 14, 2015 | Christie's | New York | Impressionist and Modern Day Sale | 1281 | $****** - ****** | Anes au pâturage |
paintings
37.8 x 75.9 cm (14.88 x 29.88 in)
oil on canvas laid down on board
Théodore Duret, Paris (acquired from the artist, December 1873); sale, Galerie Georges Petit, Paris, 19 March 1894, lot 34.
Edouard Aynard, Paris (acquired at the above sale).
Leonardo Bénatov, Paris.
Acquired from the above by the family of the present owner, 1956.
Paris, Galerie Durand-Ruel et Cie., Camille Pissarro, June-September 1956, no. 4.<br>
Letter of Camille Pissarro to Théodore Druet, 8 December 1873.<br>Letter of Camille Pissarro to Théodore Druet, 13 February 1874.<br>L.R. Bouyer, "Les arts," L'Ermitage, April 1894, p. 244.<br>L.R. Pissarro and L. Venturi, Camille Pissarro, Son art—son oeuvre, Paris, 1939, vol. I, p. 80, no. 19 (illustrated, vol. II, pl. 4).<br>M. Bodelsen, "Early Impressionist Sales 1874-1894 in the Light of Some Unpublished 'Procès-Verbaux,'" The Burlington Magazine, vol. 110, no. 783, January 1968, pp. 344 and 346.<br>C. Kunstler, Camille Pissarro, Milan, 1974, p. 74, no. 1862 (illustrated).<br>A. Distel, "Some Pissarro Collectors in 1874," Studies on Camille Pissarro, London, 1986, p. 73, note 28.<br>J. Pissarro, Camille Pissarro, New York, 1993, p. 143.<br>J. Bailly-Herzberg, Correspondence de Camille Pissarro, Paris, 2003, vol. 1, p. 87, letter no. 29, note 1; p. 90, letter no. 32 and p. 91, letter no. 33.<br>J. Pissarro and C. Durand-Ruel Snollaerts, Pissarro, Catalogue critique des peintures, Paris, 2005, vol. II, p. 72, no. 57 (illustrated in color; with incorrect support and dimensions).<br>
