Top-100 artists:
We use our proprietary AI - LiveArt Estimate™ to calculate current market value for each artwork. Based on this data LiveArt is able to provide numerous insights into artist and artwork financial performance, including:
See the measure of artist investment performance relative to risk. A higher ratio suggests better risk-adjusted returns, indicating more consistent performance with less risk.
Explore the most prolific periods in an artist's career based on artwork production volume and current market value. It also segments these periods by category, offering insights into when the most valuable pieces were created in each category.
Free to sign up. No credit card required.
| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Jun 5, 2019 | Dorotheum | Vienna | Contemporary Art I | 275 | $****** - ****** | Un film di ... |
paintings
100 x 80 cm (39.37 x 31.5 in)
décollage on canvas
signed; signed, titled and dated 61 on the reverse
Galleria Apollonaire, Milan (stamp and label on the reverse)
Galleria Lucio Amelio, Naples (stamp on the reverse)
Galleria Pio Monti, Rome (written on the reverse)
Collezione Gian Enzo Sperone, Turin (handwritten on the reverse)
Finarte, Milan, 4 July 1994, no. 906, lot 295 (certificate available)
European Private Collection
P. Restany, Rotella: dal decollage alla nuova immagine, Edizioni Apollinaire Milan, 1963, exh. cat. with ill. (dated 1962)
signed; signed, titled and dated 61 on the reverse, décollage on canvas, 100 x 80 cm
The registration in the Fondazione Mimmo Rotella has been requested
Provenance:
Galleria Apollonaire, Milan (stamp and label on the reverse)
Galleria Lucio Amelio, Naples (stamp on the reverse)
Galleria Pio Monti, Rome (written on the reverse)
Collezione Gian Enzo Sperone, Turin (handwritten on the reverse)
Finarte, Milan, 4 July 1994, no. 906, lot 295 (certificate available)
European Private Collection
Literature:
P. Restany, Rotella: dal decollage alla nuova immagine, Edizioni Apollinaire Milan, 1963, exh. cat. with ill. (dated 1962)
I did not want to paint anymore. I thought that, after Duchamp, there was nothing more to be done. Until, leaving home one morning,
I saw a torn poster on the other side of the street. It was my enlightenment.
I would walk the streets of the city at night, tearing down these
colorful posters which were destined to become works of art.
Mimmo Rotella
