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| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Nov 12, 2019 | Christie's | New York | Impressionist and Modern Art Evening Sale | 13A | $****** - ****** | Anémones au miroir noir | |||
Nov 7, 2001 | Sotheby's | New York | Impressionist & Modern Art - Part I | 17 | $****** - ****** | Noir | |||
Nov 16, 1998 | Sotheby's | New York | The Reader's Digest Collection | 32 | $****** - ****** | Anemones au miroir noir |
paintings
68 x 54 cm (26.75 x 21.25 in)
oil on canvas
signed 'Henri Matisse' (lower left)
Galerie Bernheim-Jeune et Cie., Paris (acquired from the artist, 20 March 1919).
Galerie de l'Art Moderne, Paris (acquired from the above, 29 April 1927).
Valentine Gallery (Valentine Dudensing), New York.
The Phillips Memorial Gallery, Washington, D.C. (acquired from the above, 1927).
Pierre Matisse Gallery, New York (acquired from the above, February 1947).
The Reader's Digest Association, Inc., New York (acquired from the above, 11 June 1947); sale, Sotheby's, New York, 16 November 1998, lot 32.
Private collection (acquired at the above sale); sale, Sotheby's, New York, 7 November 2001, lot 17.
David Tunkl Fine Art, Los Angeles.
Acquired from the above by the late owner, 6 March 2007.
Paris, Galerie Bernheim-Jeune et Cie., Oeuvres récentes d'Henri Matisse, May 1919, no. 32 (illustrated).
Washington, D.C., The Phillips Memorial Gallery, Leaders of French Art Today, December 1927-January 1928 (illustrated; titled Poppies and Mirror).
New York, The Century Club, 1930.
Pittsburgh, Carnegie Institute, An Exhibition of a Selected Group of Paintings from the Phillips Memorial Gallery, April-May 1930, no. 13 (titled Poppies and Mirror).
Rochester Museum of Art, circa 1930.
New York, The Museum of Modern Art, Henri Matisse Retrospective Exhibition, November-December 1931, p. 50, no. 51 (illustrated, p. 93; titled Anemones and Mirror and dated circa 1920).
Providence, Rhode Island School of Design, Henri Matisse, December 1931, p. 8, no. 23 (titled Anemones and Mirror and dated circa 1920).
Pennsylvania Museum of Art, Flowers in Art, April-May 1933 (titled Anemonies and Mirror).
Cambridge, Fogg Museum of Art, Harvard University, French Painting of the XIX and XX Centuries, July-August 1941, p. 5 (titled Anemones and Mirror).
New York, Pierre Matisse Gallery, Paintings, 1898-1939, February 1943, no. 11 (titled Les Anémones).
Buffalo, Albright-Knox Gallery; Cincinnati Art Museum; St. Louis, The City Art Museum and Washington, D.C., French Embassy, French Paintings of the Twentieth Century, December 1944-Spring 1945, p. 53, no. 41 (titled Anémones et Miroir).
New York, M. Knoedler & Co., Inc., Reader's Digest Collection, May-June 1963, p. 22 (illustrated in color; titled Anemones and Mirror and dated 1920).
Tokyo, Palaceside Building, Forty Paintings from the Reader's Digest Collection, October 1966, p. 26, no. 18 (illustrated in color; titled Anemone and Mirror and dated 1920).
New York, Wildenstein & Co., Inc.; St. Paul; Detroit; Chicago; Stuttgart; London, Wildenstein & Co., Ltd.; Milan and Paris, Musée Marmottan, Selections from the Reader's Digest Collection, September 1985-April 1986, p. 38 (illustrated in color, p. 39; detail illustrated, p. 38; titled Anemones and Mirror and dated circa 1920).
Washington, D.C., National Gallery of Art, Henri Matisse: The Early Years in Nice, 1916-1930, November 1986-March 1987, p. 128, no. 55 (illustrated in color, pl. 79).
Auckland City Art Gallery, the Reader's Digest Collection: Manet to Picasso, March-May 1989, p. 94 (illustrated in color; titled Anemones and Mirror and dated circa 1920).
New York, The Museum of Modern Art, Henri Matisse: A Retrospective, September 1992-January 1993, p. 310, no. 230 (illustrated in color).
E. Faure, History of Art: Modern Art, New York, 1926, p. 467 (illustrated; titled Flowers).
D. Phillips, The Artist Sees Differently, New York, 1931 (illustrated, pl. CXXI; titled Anemones and Mirror).
A.H. Barr, Jr., Matisse: His Art and His Public, New York, 1951, pp. 205, 207 and 544, note 6.
M. Vaughan, "Matisse, The Brilliant Designer" in Reader's Digest Family Treasury of Great Painters and Great Paintings, New York, 1965, p. 28 (illustrated in color; titled The Anemones and the Mirror).
G.-P. and M. Dauberville, Matisse, Paris, 1995, vol. II, p. 725, no. 269 (illustrated).
A. Maillet, The Claude Glass: Use and Meaning of the Black Mirror in Western Art, London, 2009, p. 127 (illustrated in color, fig. 10.5) .
signed 'Henri Matisse' (lower left)
oil on canvas
26 ¾ x 21 ¼ in. (67.9 x 53.8 cm.)
Painted in Nice, 1919
