Top-100 artists:
We use our proprietary AI - LiveArt Estimate™ to calculate current market value for each artwork. Based on this data LiveArt is able to provide numerous insights into artist and artwork financial performance, including:
See the measure of artist investment performance relative to risk. A higher ratio suggests better risk-adjusted returns, indicating more consistent performance with less risk.
Explore the most prolific periods in an artist's career based on artwork production volume and current market value. It also segments these periods by category, offering insights into when the most valuable pieces were created in each category.
Free to sign up. No credit card required.
| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Feb 15, 2018 | Sotheby's | London | Erotic: Passion & Desire | 15 | $****** - ****** | LES BAIGNEUSES, FEMMES NUES AU BORD DE LA MER |
paintings
92 x 72.5 cm (36.22 x 28.54 in)
oil on board
Galerie de Chaudun, Paris
Private Collection, Europe (acquired from the above in 1957)
Thence by descent to the present owner
Geneva, Petit Palais, Picasso et les peintres espagnols, 1980, n.n.
Madrid, Salas Pablo Ruiz Picasso & Barcelona, Fundacio Caixa de Pensions, Francis Picabia, 1985 no. 149, illustrated in colour in the catalogue
Nîmes, Musée des Beaux-Arts, Francis Picabia, 1986, no. 114, illustrated in colour in the catalogue
Nice, Musée d’Art Moderne et d’Art Contemporain, Picabia et la Côte d’Azur, 1991, no. 86, illustrated in colour in the catalogue
Gijón, Palacio Revillagigedo, Picabia Entre Guerras, 1991, no. 70, illustrated in colour in the catalogue
Japan, Paris, la joie de vivre, 1993, no. 103, illustrated in the catalogue
Paris, Salon de Montrouge, Picabia et Montrouge-Barcelone, 1994, n.n., illustrated in the catalogue
Rotterdam, Museum Boijmans van Beuningen & Hamburg, Deichtorhallen Hamburg, Francis Picabia Das Spätwerk 1933–1953, 1997, no. 79, illustrated in colour in the catalogue
Lisbon, Centro Cultural de Belém, Francis Picabia: Antologia, 1997, no. 95, illustrated in colour in the catalogue
Grenoble, Musée de Grenoble & Geneva, Petit Palais, Francis Picabia, Les Nus et la méthode, 1997-99, no. 14, illustrated in colour in the catalogue
Tokyo, Isetan Museum of Art, Francis Picabia, 1999, no. 61, illustrated in colour in the catalogue
Geneva, Petit Palais & Pontoise, Musée Camille Pissarro, Le Peintre et les baigneuses dans l’art moderne 1890-1960, 2000, n.n., illustrated in the catalogue
Krems, Kunsthalle Krems, Francis Picabia: Retrospektive, 2012, no. 131, illustrated in colour in the catalogue
Zurich, Kunsthaus Zürich, Francis Picabia. Our Heads Are Round So Our Thoughts Can Change Direction, 2016, no. 193, illustrated in colour in the catalogue
Luis Quesada, Pintores en Andalucia, Espagnoles y Extranjeros, Sevilla, 1996, no. 391, illustrated in colour p. 312
Arnauld Pierre, Francis Picabia, La Peinture sans aura, Paris, 2002, illustrated fig. 116, p. 254
oil on board
92 by 72.5cm., 29 5/8 by 26 1/3in.
Painted in 1941.
