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| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Jul 5, 2017 | Sotheby's | London | Old Masters Evening Sale | 66 | $****** - ****** | THE CAMPO SAN GALLO, VENICE |
paintings
98.5 x 137 cm (38.78 x 53.94 in)
oil on canvas
Anonymous. sale, London, Christie's, 6 March 1925, lot 58, for 660 guineas, to Permain (as B. Canaletto);
With A.H. Buttery, London, 1927;
Private collection, London;
Mrs Derek Fitzgerald, Heathfield Park, Sussex;
London, Sotheby's, 3 July 1963, lot 3, for £4,200, to A. Tooth (as Bernardo Bellotto);
With A. Tooth & Sons, London;
Anonymous sale, Christie's, 23 June 1967, lot 110, for 3,000 guineas (here and below as M. Marieschi);
Anonymous sale ('From a Deceased's Estate'), London, Christie's, 9 December 1994, lot 60;
Where acquired by the present collector.
G. Lorenzetti, Pittura veneziana del Settecento, Novara 1948, reproduced plate 92 (as Bernardo Bellotto);
The Burlington Magazine, June 1963, p. 105, reproduced;
World Collectors Annuary, XV, 1963, p. 19, cat. no. 182, reproduced plate 34;
S. Kozakiewicz, Bernardo Bellotto, London 1972, vol. II, p. 447, cat. no Z-245, reproduced p. 445 ('a very good painting, but the attribution to Bellotto is unacceptable... more like the style of Marieschi');
E. Camesasca, L'opera completa del Bellotto, Milan 1974, p. 121, cat. no. 302A, reproduced (as not by Bellotto);
D. Succi, Marieschi tra Canaletto e Guardi, exhibition catalogue, Turin 1989, pp. 140–41 and fig. 158 (here and below as Marieschi);
M. Manzelli, Michele Marieschi e il suo alter-ego Francesco Albotto, Venice 1991, p. 62, cat. no. M.46.1, reproduced p. 142, fig. 158;
R. Pallucchini, La pittura nel Veneto, Il Settecento, Milan 1994–996, vol. II, p. 311;
Antiques Trade Gazette, 7 January 1995, p. 28, reproduced;
Christie's Review of the Season 1995, p. 23, reproduced;
F. Montecuccoli degli Erri and F. Pedrocco, Michele Marieschi, la vita, l'ambiente, l'opera, Milan 1999, pp. 394–95, cat. no. 166, reproduced;
F. Pedrocco, Il Settecento a Venezia, i vedutisti, Milan 2001, p. 164;
M. Manzelli, Michele Marieschi e il suo alter-ego Francesco Albotto, Venice 2002, p. 92, cat. no. M.46.01;
D. Succi, Marieschi, opera completa, Azzano Decimo 2016, p. 302, cat. no. 112, reproduced in colour pp. 304–05.
oil on canvas
98.5 x 137 cm.; 38 3/4 x 54 in.
