C. J. Holmes, Constable and His Influence on Landscape Painting , Westminster 1902, p. 244, reproduced opp. p. 88;
L. Parris and I. Fleming-Williams, in Constable: Paintings, Watercolours & Drawings , exhibition catalogue, London 1976, p. 108, no. 165, reproduced p. 109;
R. Hoozee, L'opera completa di Constable , Milan 1979, p. 105, no. 190, reproduced (reproduction incorrectly captioned 194);
M. Rosenthal, Constable, The Painter and His Landscape , New Haven and London 1983, p. 117, reproduced p. 116, fig. 151;
I. Fleming-Williams and L. Parris, The Discovery of Constable , New York 1984, p. 95;
G. Reynolds, The Later Paintings and Drawings of John Constable , 2 vols, New Haven and London 1984, text vol., p. 30, no. 19.4, plates vol., reproduced pl. 71;
M. Cormack, Constable , Oxford 1986, pp. 110, 247 n. 5;
C. Rhyne, ‘Constable's first two six-foot landscapes', in Studies in the History of Art , vol. 24, 1990, p. 124, reproduced fig. 18;
A. Ng and W. Kentridge, Constable's White Horse , New York 2020, reproduced p. 53.