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| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Dec 7, 2022 | Sotheby's | London | Old Masters Evening Auction | 30 | $****** - ****** | Venice, The Grand Canal, looking north-west, with the Palazzo Pesaro, Palazzo Foscarini, and the pinnacle of San Stae, to the left, with the Palazzo Vendramin-Calergi and San Marcuola, to the right |
paintings
59.7 x 94 cm (23.5 x 37.01 in)
oil on canvas
with the Palazzo Vendramin-Calergi and San Marc la, to the right
Painted for Henry Grey, 1st Duke of Kent and 2nd Baron Lucas of Crudwell (1671-1740), Wrest Park, Bedfordshire;
His granddaughter and heiress, Jemima, Marchioness Grey and Baroness Lucas (1722-1797), wife of Philip Yorke, 2nd Earl of Hardwicke;
Their daughter, Anabel, Countess de Grey and Baroness Lucas (1750-1833), 4 St. James's Square, London, recorded in the 'Back Room Below' (i.e. Ground Floor) in an inventory with hanging plans, no. 11 or 19;
Her nephew, Thomas Philip, 3rd Earl de Grey, 3rd Baron Grantham and 5th Baron Lucas (1781-1859), the reverse with a printed label from his 1834 catalogue, no. 19, 'Canaletto/View of Venice';
His eldest daughter, Anne Florence, Baroness Lucas (1806-1880), wife of George Augustus Frederick, 6th Earl Cowper;
Their son, Francis Thomas, 7th Earl Cowper, 4th Lord Dingwall, 3rd Baron Butler, and later 7th Baron Lucas of Crudwell (1834-1905);
His nephew, Auberon Thomas Herbert, 5th Lord Dingwall and 8th Baron Lucas of Crudwell (1876-1916);
By whom sold, London, Christie's, 31 March 1906, lot 19, for 340 Guineas, to Gooden and Fox (according to the Christie's 2003 sale catalogue);
Sir George Leon, 2nd Bt. (1875-1947), and by inheritance to his second wife and widow, Anne Dorothy, subsequently Mrs. Thomas Parrington (d. 1963), Chilbolton, Hampshire;
With Marlborough Fine Art, New York, stock no. 34911;
Private collection, Switzerland, by 1987;
Anonymous sale ('The Property of a European Collection'), London, Christie's, 10 December 2003, lot 51, where offered (est. £3,000,000 - 5,000,000);
Acquired privately immediately thereafter for the Grasset Collection.
London, Matthiesen Gallery, Exhibition of Venetian paintings and drawings held in aid of Lord Baldwin's Fund for Refugees , 23 February - 6 April 1939, no. 64;
Winchester, Winchester College, and Southampton, Southampton Art Gallery, Pictures from Hampshire Houses , 2 July - 17 August 1955, no. 5;
San Diego, The San Diego Museum of Art, Brueghel to Canaletto, European Masterpieces from the Grasset Collection , 2 April - 2 August 2016, no. 35;
San Diego, The San Diego Museum of Art, on loan 2016 - 2019 (when part of the Genre & Myth display, 2017 - 2019);
Saint Petersburg, Florida, Museum of Fine Arts, A Feast for the Eyes, European Masterpieces from the Grasset Collection , 23 March - 2 September 2019, no. 16.
Catalogue of Pictures belonging to Thomas Philip Earl de Grey, at his house in St. James's Square , London 1834, no. 19;
W.G. Constable, Canaletto: Giovanni Antonio Canal, 1697-1768 , Oxford 1962, vol. I, reproduced pl. 50, and vol. II, pp. 290-91 and 606, no. 244; and later editions revised by J.G. Links, Oxford 1976 and 1989, vol. I, reproduced pl. 50, and vol. II, pp. 308-09 and 665, no. 244;
L. Puppi, L'opera completa del Canaletto , Milan 1968, p. 106, no. 178, reproduced (dated to 1740);
A. Corboz, Canaletto, Una Venezia immaginaria , Milan 1984, vol. II, p. 647, no. P 291, reproduced;
D. Succi, in Canaletto & Visentini, Venezia & Londra , exh. cat., Venice 1986, p. 241, under no. 24;
A. Dorigato and D. Succi, in I Rami di Visentini per le Vedute di Venezia del Canaletto , exh. cat., Venice 1990, under no. 22;
J.G. Links, A Supplement to W.G.Constable's Canaletto: Giovanni Antonio Canal, 1697-1768 , London 1998, p. 26, no. 244;
B.A. Kowalczyk, Canaletto. Il trionfo della veduta , exh. cat., Milan 2005, p. 274, under no. 75.23;
F.G. Meijer, Brueghel to Canaletto, European Masterpieces from the Grasset Collection , exh. cat., San Diego 2016, p. 37, no. 35, reproduced in colour;
S. Thomas, A Feast for the Eyes, European Masterpieces from the Grasset Collection , exh. cat., Saint Petersburg, Florida 2019, pp. 44 and 97, no. 16, reproduced in colour.
Engraved
A. Visentini, Prosepectus Magni Canalis Venetiarum addito Certamine Nautico et Nundinis Venetis: Pictis ab Antonio Canale, in Aedibus Josephi Smith Angli, Delineante atque Incidente, Antonio Visentini, Elegantus recusi, Anno MDCCXLII , Venice 1742 and 1751, II.6 ('Prospectus ab Aedibus Pisanorum ad S. Jeremiam').
Property from the Grasset Collection
Giovanni Antonio Canal, called Canaletto
Venice 1697 - 1768
Venice, The Grand Canal, looking north-west, with the Palazzo Pesaro, Palazzo Foscarini, and the pinnacle of San Stae, to the left, with the Palazzo Vendramin-Calergi and San Marcuola, to the right
oil on canvas
59.7 x 94 cm.; 23½ x 37 in
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格拉塞特典藏
喬瓦尼・安東尼奧・卡納爾 - 或稱卡納萊托
威尼斯,1697 - 1768年
《威尼斯大運河景觀,向西北方眺望,左側為佩薩羅宮、福斯卡里尼宮與聖猶士坦堂前壁尖頂,右側為溫德拉敏宮與聖茂古拉堂》
油彩畫布
59.7 x 94 cm.; 23 ½ x 37 in.
