Top-100 artists:
We use our proprietary AI - LiveArt Estimate™ to calculate current market value for each artwork. Based on this data LiveArt is able to provide numerous insights into artist and artwork financial performance, including:
See the measure of artist investment performance relative to risk. A higher ratio suggests better risk-adjusted returns, indicating more consistent performance with less risk.
Explore the most prolific periods in an artist's career based on artwork production volume and current market value. It also segments these periods by category, offering insights into when the most valuable pieces were created in each category.
Free to sign up. No credit card required.
| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Dec 12, 2008 | Christie's | London | 20th Century British Art | 34 | $****** - ****** | Still Life, Apples and Knives |
paintings
35.5 x 45.8 cm (13.98 x 18.03 in)
oil on canvasboard
with Beaux Arts Gallery, London. with Roland, Browse & Delbanco, London.
Nottingham, Museum and Art Gallery, William Nicholson Retrospective Exhibition, March - April 1933, no. 5. London, Beaux Arts Gallery, Retrospective Exhibition of Paintings by William Nicholson, May - June 1933, no. 2. Scarborough, Public Library, Retrospective Exhibition of Paintings by William Nicholson, August - September 1933, no. 37. Folkestone, Public Art Gallery, Retrospective Exhibition of Paintings by William Nicholson, October - November, no. 25. Belfast, Museum and Art Gallery, Loan Exhibition of Paintings and Prints by William Nicholson, January - February 1934, no. 12. Newark, Municipal Museum, Exhibition of Paintings by William Nicholson, September - October 1934, no. 37. London, Beaux Arts Gallery, Summer Exhibition of Paintings and Drawings by Eminent Modern French and English Artists, July - August 1939, no. 52.
L. Browse, William Nicholson, London, 1956, p. 92, no. 369. The Newark Herald, 6 October 1934, p. 7.
