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| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Jul 5, 2012 | Sotheby's | London | Old Master & British Paintings Day Sale | 115 | $****** - ****** | The Deposition Of Christ |
paintings
53.4 x 37.1 cm (21.02 x 14.61 in)
oil on panel
J. Braz, Leningrad, by 1921
With Marie Sterner Galleries, New York, by 1937
Mme Napoléon Magne, Paris
F. Lachowsky, Paris
His sale, New York, American Art Association, 20 April 1939, lot 28
Acquired from the above by Colonel D. Sickles, Paris and New York
With Schaeffer Galleries, New York, from 1956.
M.J. Friedländer, Die altniederländische Malerei, VI, Memling und Gerard David, Berlin 1928, pp. 34 and 118, no. 13a (as Memling);; Gallego y Burin, La Capilla Real de Granada, Granada, 1931, p. 130;; A.M. Frankfurter, ''Masterpieces in the Art Market. Part I: The Old Masters,'' in The Art News, XXXV, no.12, 19 December 1936, p. 17, reproduced p. 12;; M.J. Friedländer, Die altniederländische Malerei, XIV, Pieter Bruegel und Nachtrage zu den fruheren Banden, Leiden 1937, pp. 102-103, no. 13a;; Beaux-Arts, LXXVII, no. 331, 5 May 1939, p. 3, reproduced;; Memling, exhibition catalogue, Bruges, Musée Communal des Beaux-Arts, 22 June - 1 October, 1939, cat. no. 17, reproduced plate 34;; M.J. Friedländer, "The Memling Exhibition at Bruges", in The Burlington Magazine, vol. LXXV, no. 438, September 1939, p. 124 (as Memling);; W. Schöne, ''Hans Memling zur Ausstellung seines Lebenswerkes in Brugge,'' in Pantheon, vol. XXIV, no. 331, 5 May 1939, p. 9; September 1939, p. 291, footnote 1;; L.von Baldass, Hans Memling, Vienna 1942, p. 45, cited under no. 90;; M.J. Friedländer, ''Van der Goes und Memling, '' in Oud Holland, LXV, 1950, p. 167;; Paris, Musée de l'Orangerie, Chef-d'œuvre du Musée d'Art de Sao Paulo, 1953-1955, p. 66, cited under no. 32;; Milan, Palazzo Reale, Dipinti del Museo d'arte di San Paolo del Brasile, 1954-1955, p. 25, cited under no. 4;; P.M. Bardi, The Arts of Brazil, a New Museum at São Paulo (translated from the Italian by J. Drummond), Milan 1956, p. 171, cited under no. 266, reproduced p. 171, fig. 267;; Bruges, Musée Communal des Beaux-Arts, L'Art flamande dans les collections espagnoles, 1958, p. 30, cited under no. 6;; Museu de Arte de São Paulo - Catalogo, São Paulo 1963, p. 206, cited under no. 178;; R. van Schoute, La Chapelle royale de Grenade (Les primitifs Flamands, I: Corpus de la peinture des anciens Pays-Bas Meridionaux au quinzième siecle, 6), Brussels 1963, p. 70, cited under no. 98 (as a later copy);; F. Winker, Das Werk des Hugo van der Goes, Berlin 1964, p. 51 and footnote 3;; S.Ringbom, Icon to Narrative. The Rise of the Dramatic Close-Up in Fifteenth Century Devotional Painting, Abo 1965, p. 130 and footnote 88;; B. Volker, Die Entwicklung des erzahlenden Halbfigurebildes in niederlandischen Malerei des 15. Und 16 Jahrbunderts, Gottingen 1968, pp. 20-24;; M. Corti and G.T. Faggin, L'Opera completa di Memling, Milan 1969, p. 98, no. 27A; also cited under no. 26, reproduced (as Memling);; M.J. Friedlander, Early Netherlandish Painting, vol. VIa, New York 1971, pp. 23 and 47, no. 13a, reproduced plate 49 (as Memling);; D. De Vos, Stedelijke Mesea Brugge, Catalogue Schilderijen 15de en 16de Eeuw, Bruges 1979, p. 165, cited under no. 0.1393; D. De Vos, Bruges, Musees communaux : catalogue des tableaux du 15 et du 16 siècle, Bruges 1982, p. 165;; D. De Vos, Groeningemusem, Bruges/Brussels 1987, p. 23;; E. Camesasca, Tresors du Musee d'art de São Paulo: de Raphael a Corot, Martigny 1988, p.40, reproduced p. 43;; V.J. Hull, '' Devotional Aspects of Hans Memlinc's Paintings,'' in Southeastern College Art Conference Review, II, 1988, p. 211;; L. Collobi Ragghianti, Dipinti fiamminghi in Italia, 1420-1570: Catalogue, Bologna 1990, p. 33;; C. Perier-D'Ieteren, ''L'Auteur du diptyque de la Descente de Croix de Grenade attribué à Memling serait-il espagnol?", in Annales d'Historie de L'Art et d'Archeologie, VX, 1993, p. 43 (as a copy);; D. De Vos, Groeninge Museum, Hans Memling, Bruges 1994, p. 154 (as Memling);; D. De Vos, Hans Memling: The Complete Works, Ghent 1994, pp. 3320-335, no. 92A, reproduced p. 333 (as Memling);; M. Natale, in Il Palazzo Durazzo Pallavicini, Bologna 1996, p. 163;; R. Caravalho de Magalhaes, ''Hans Memling e la 'Lamentazione delle pie donne e di San Giovanni Evangelista' del Museo d'Arte di San Paolo del Brasile,'' in Critica d'arte, LVII, 1995, pp. 81-86;; D. De Vos, Groeninge Museum, Bruges/Ghent 1996, p. 20 (as Memling);; H. Mund and C. Stroo, Early Netherlandish Painting (1400-1500): A Bibliography (1984-1998), Brussels 1998, p. 162;; B.G. Lane, Hans Memling, Master Painter in Fifteenth-Century Bruges, London and Turnhout 2009, p. 337, no. C4, reproduced fig. 277 (listed among rejected works).
