Top-100 artists:
We use our proprietary AI - LiveArt Estimate™ to calculate current market value for each artwork. Based on this data LiveArt is able to provide numerous insights into artist and artwork financial performance, including:
See the measure of artist investment performance relative to risk. A higher ratio suggests better risk-adjusted returns, indicating more consistent performance with less risk.
Explore the most prolific periods in an artist's career based on artwork production volume and current market value. It also segments these periods by category, offering insights into when the most valuable pieces were created in each category.
Free to sign up. No credit card required.
| Image | Last Sale Date | Title | Edition No. | Last Sale | Last Sale Auction House | Last Sale Location | |
|---|---|---|---|---|---|---|---|
| Nov 7, 2013 | Head: Construction With Crossing Planes | 5 | Sotheby's | New York | |||
| Feb 5, 2007 | Head: construction with crossing planes | Sotheby's | London | ||||
sculpture
38 cm (14.96 in)
bronze
Inscribed Archipenko, dated 1913 and numbered 5/6
Herbert Singer, New York (acquired from the artist in 1962)
Private Collection (by descent from the above and sold: Sotheby's, London, February 5, 2007, lot 35)
Acquired at the above sale by the present owner
Carola Giedion-Welcker, Contemporary Sculpture, An Evolution in Volume and Space, New York, 1960, illustration of another cast p. 84; Alexander Archipenko et al., Archipenko: Fifty Creative Years, 1908-1958, New York, 1960, illustration of another cast pl. 182; Giovanni Sangiorgi, "La Pittura Scultorea di Archipenko," in Civiltà delle Macchine, vol. XI, no. 5, September-October 1963, illustration of another cast p. 38; Maurizio Calvesi, "Futurismo e Orfismo," in L'Arte Moderna, vol. V, no. 43, 1967, illustration of another cast p. 273; Donald H. Karshan (ed.), Archipenko: International Visionary, Washington, D. C., 1969, pl. 38, illustration of another cast p. 41; Andrei B. Nakov, Studio International, December 1973, vol. 186, mentioned; Donald H. Karshan, "Les Révolutions d'Alexandre Archipenko," in Plaisir de France, no. 421, July 1974, pl. 17, illustration of another cast p. 16; Albert E. Elsen, Origins of Modern Sculpture: Pioneers and Premises, New York, 1974, pl. 70, illustration of another cast p. 52; Donald H. Karshan, Archipenko. The Sculpture and Graphic Art, Tubingen, 1974, illustration of another cast p. 19; Donald H. Karshan, Archipenko. Sculpture, Drawings and Prints, 1908-1963, Indiana, 1985, no. 18, illustrations of another cast pp. 59-61; Anette Barth, Alexander Archipenkos plastisches Oeuvre, Frankfurt, 1997, no. 330, illustrations of another cast pp. 561 & 563
