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| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Nov 3, 2009 | Christie's | New York | Impressionist/Modern Evening Sale | 6 | $****** - ****** | Le Pont du chemin de fer, Pontoise | |||
May 14, 1997 | Christie's | New York | Impressionist & Modern Paintings, Drawings & Sculpture (Part I) | 17 | $****** - ****** | Le pont de chemin de fer, Pontoise |
paintings
50 x 65 cm (19.69 x 25.59 in)
oil on canvas
signed 'C. Pissarro' (lower left)
Fromentin;
sale, Hôtel Drouot, Paris, 16 December 1908, lot 10.
Anon. sale, Hôtel Drouot, Paris, 3 December 1910, lot 46. Eugène Blot, Paris (acquired at the above sale). Galerie Bernheim Jeune et Cie., Paris (circa 1916). Gérard Frères, Paris. M. Knoedler & Co., Inc., New York (acquired from the above, January 1924). James Carstairs, Philadelphia (acquired from the above, March 1924). M. Knoedler & Co., Inc., New York (acquired from the above, October 1927). Wildenstein & Co., Inc., New York. Ruth S. and David M. Heyman, New York (acquired from the above, before 1945); Estate sale, Christie's, New York, 16 May 1984, lot 12. The Lefevre Gallery (Alex. Reid & Lefevre, Ltd.), London (acquired at the above sale).
Acquavella Galleries, Inc., New York.
Private collection, London. Wildenstein & Co., Inc., New York (1988). The Hal Wallis Foundation, Santa Barbara (acquired from the above, 1994);
sale, Christie's, New York, 14 May 1997, lot 17.
Acquired at the above sale by the present owner.
Paris, Galerie Knoedler, Peintres de l'École française du XIXe siècle, May 1924, no. 23. New York, Wildenstein & Co., Inc., Camille Pissarro: His Place in Art, October-November 1945, p. 33, no. 10 (illustrated, p. 24). Montreal, Musée des Beaux-Arts, Manet to Matisse, May-June 1949, no. 27. New York, Wildenstein & Co., Inc., C. Pissarro, March-May 1965, no. 22 (illustrated). London, The Lefevre Gallery (Alex. Reid & Lefevre, Ltd.), Important XIXth and XXth Century Works of Art, June-July 1985, pp. 28-29, no. 13 (illustrated in color). Edinburgh, National Gallery of Scotland, French Impressionism and its Origins: Lighting up the Landscape, August-October 1986, p. 78, no. 98 (illustrated in color). Santa Barbara Museum of Art (on extended loan, June 1994-February 1997). New York, The Museum of Modern Art; The Los Angeles County Museum of Art and Paris, Musée d'Orsay, Pioneering Modern Painting: Cézanne and Pissarro 1865-1886, June 2005-May 2006, no. 86.
L.-R. Pissarro and L. Venturi, Camille Pissarro, son art--son oeuvre, Paris, 1939, vol. I, p. 112, no. 234 (illustrated, vol. II, p. 46). R. Herbert, Impressionism: Art, Leisure and Parisian Society, New Haven, 1988, p. 226 (illustrated in color). R.R. Bretell, Pissarro and Pontoise: The Painter in a Landscape, New Haven, 1990, pp. 65 and 158 (illustrated in color, pl. 63, pp. 67-69). R. Katz and C. Dars, The Impressionists in Context, New York, 1991, p. 85 (illustrated in color). C. Lloyd, "Paul Cézanne, Pupil of Pissarro: An Artistic Friendship," Apollo, November 1992, pp. 284 and 289. M. Reid, Pissarro, London, 1993, p. 143, no. 83 (illustrated in color, p. 83). S. Roffo, Camille Pissarro, Paris, 1994, p. 26 (illustrated). P.H. Tucker, Claude Monet, Life and Art, New Haven, 1995, p. 73, no. 80 (illustrated in color). B.E. White, Impressionists Side by Side, New York, 1996, p. 120 (illustrated in color, p. 121). M.J. Pellé, 'Vert Pissarro..' Impressions de Normandie et d'ailleurs, Luneray, 2000, p. 74. J. Pissarro and C. Durand-Ruel Snollaerts, Pissarro, Catalogue critique des peintures, Paris, 2005, vol. II, p. 240, no. 305 (illustrated in color).
