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| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Jun 19, 2020 | Sotheby's | Paris | Art Impressionniste et Moderne | 10 | $****** - ****** | ABEND IN N (EVENING IN N) OR ARCHITEKTUR ABENDS (ARCHITECTURE IN THE EVENING) |
paintings
oil on muslin
Daniel-Henry Kahnweiler, Paris (until 1938)
Buchholz Gallery / Valentin Gallery (Curt Valentin), Berlin & New York (acquired in 1938)
Karl Nierendorf, Cologne, Berlin & New York (acquired in 1938)
Eugene Victor Thaw & Co., New York
G. David Thompson, Pittsburgh (until 1961)
Galerie Beyeler, Basel
Acquired from the above by the present owner circa 1962
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Daniel-Henry Kahnweiler, Paris (jusqu'en 1938)
Buchholz Gallery / Valentin Gallery (Curt Valentin), Berlin et New York (acquis en 1938)
Karl Nierendorf, Cologne, Berlin et New York (acquis en 1938)
Eugene Victor Thaw & Co., New York
G. David Thompson, Pittsburgh (jusqu'en 1961)
Galerie Beyeler, Bâle
Acquis auprès du précédent par le propriétaire actuel vers 1962
Paris, Galerie Simon, Paul Klee. Œuvres récentes, 1938, no. 11
New York, Buchholz Gallery (Curt Valentin), Paul Klee, 1938, no. 67
Northampton, Smith College; Chicago, Arts Club of Chicago; Portland, The Portland Art Museum; San Francisco, The San Francisco Museum of Art; Los Angeles, The Stendahl Galleries; St. Louis, City Art Museum; Wellesley, Wellesley College & New York, The Museum of Modern Art, Paul Klee. Memorial Exhibition, 1941, no. 60
New York, Nierendorf Gallery, Fifth Selection of Works by Paul Klee, 1942, no. 3
Zürich, Kunsthaus; Dusseldorf, Kunstmuseum; The Hague, Gemeentemuseum; New York, The Solomon R. Guggenheim Museum & Turin, Galleria Civica d'Arte Moderna, Sammlung G. David Thompson, Pittsburgh/USA, 1960-61, no. 97, illustrated in the catalogue
Saarbrücken, Saarlandmuseum, Paul Klee: Tempel, Städte, Paläste, 2006-07, no. 122, illustrated in the catalogue
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Paris, Galerie Simon, Paul Klee. Œuvres récentes, 1938, no. 11
New York, Buchholz Gallery (Curt Valentin), Paul Klee, 1938, no. 67
Northampton, Smith College; Chicago, Arts Club of Chicago; Portland, The Portland Art Museum; San Francisco, The San Francisco Museum of Art; Los Angeles, The Stendahl Galleries; St. Louis, City Art Museum; Wellesley, Wellesley College & New York, The Museum of Modern Art, Paul Klee. Memorial Exhibition, 1941, no. 60
New York, Nierendorf Gallery, Fifth Selection of Works by Paul Klee, 1942, no. 3
Zurich, Kunsthaus; Düsseldorf, Kunstmuseum; La Haye, Gemeentemuseum; New York, The Solomon R. Guggenheim Museum & Turin, Galleria Civica d’Arte Moderna, Sammlung G. David Thompson, Pittsburgh/USA, 1960-61, no. 97, reproduit dans le catalogue
Saarbrücken, Saarlandmuseum, Paul Klee: Tempel, Städte, Paläste, 2006-07, no. 122, reproduit dans le catalogue
Rosamund Frost, 'Klee: Pigeons Come Home to Roost', in Art News, 1942, vol. 41, p. 25
Will Grohmann, Paul Klee, Stuttgart, 1954, mentioned p. 207
Jürg Spiller (ed.), Paul Klee. Das bildnerische Denken. Form- und Gestaltungslehre, Basel & Stuttgart, 1956, vol. I, illustrated p. 184; mentioned pp. 519 & 521
Joachim Büchner, 'Zu den Gemälden und Aquarellen von Paul Klee im Wallraf-Richartz-Museum', in Wallraf-Richartz-Jahrbuch, 1962, vol. 14, p. 370
Will Grohmann, Der Maler Paul Klee, Cologne, 1966, mentioned p. 98
Max Huggler, Paul Klee. Die Malerei als Blick in den Kosmos, Frauenfeld & Stuttgart, 1969, mentioned p. 163
Christian Geelhaar, Paul Klee und das Bauhaus, Cologne, 1972, mentioned p. 48
Rainer Crone & Joseph Leo Koerner, Paul Klee: Legends of the Sign, New York, 1991, fig. 8, illustrated between pp. 32 & 33
The Paul Klee Foundation (ed.), Paul Klee, Catalogue Raisonné, London, 2003, vol. 7, no. 7074, illustrated p. 261 & p. 288
Paul Klee: Making Visible (exhibition catalogue), London, 2013-14, illustrated p. 220
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Rosamund Frost, 'Klee: Pigeons Come Home to Roost', in Art News, 1942, vol. 41, p. 25
Will Grohmann, Paul Klee, Stuttgart, 1954, mentionné p. 207
Jürg Spiller (éd.), Paul Klee. Das bildnerische Denken. Form- und Gestaltungslehre, Bâle & Stuttgart, 1956, vol. I, reproduit p. 184, mentionné pp. 519 & 521
Joachim Büchner, 'Zu den Gemälden und Aquarellen von Paul Klee im Wallraf-Richartz-Museum', in Wallraf-Richartz-Jahrbuch, 1962, vol. 14, p. 370
Will Grohmann, Der Maler Paul Klee, Cologne, 1966, mentionné p. 98
Max Huggler, Paul Klee. Die Malerei als Blick in den Kosmos, Frauenfeld & Stuttgart, 1969, mentionné p. 163
Christian Geelhaar, Paul Klee und das Bauhaus, Cologne, 1972, mentionné p. 48
Rainer Crone & Joseph Leo Koerner, Paul Klee: Legends of the Sign, New York, 1991, fig. 8, reproduit entre pp. 32 & 33
The Paul Klee Foundation (éd.), Paul Klee, Catalogue Raisonné, Londres, 2003, vol. 7, no. 7074, reproduit p. 261 & p. 288
Paul Klee: Making Visible (catalogue d'exposition), Londres, 2013-14, reproduit p. 220
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indistinctement signé Klee (en haut à droite); titré, daté 1937 et inscrit 1937 qu 18 (sur le châssis)
huile sur mousseline
60 x 45 cm; 23⅝ x 17¾ in.
Peint en 1937.
