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| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Oct 23, 2020 | Christie's | London | Post-War and Contemporary Art Evening Sale | 110 | $****** - ****** | Boiler House |
paintings
200 x 274.9 cm (78.75 x 108.25 in)
oil on canvas
Victoria Miro, London.
Fruchter Collection, Antwerp.
Private Collection, San Francisco.
Acquired from the above by the present owner.
Salzburg, Max-Gandolph-Bibliothek, Prix Eliette von Karajan, 1994, no. 21. This exhibition later travelled to Vienna, Französisches Kulturinstitut Wien and Paris, Institut Autrichien.
Kiel, Kunsthalle zu Kiel, Peter Doig Blizzard seventy-seven, 1998, p. 133, no. 12 (illustrated in colour, p. 93; detail illustrated, p. 92; dated 1994). This exhibition later travelled to Nuremberg, Kunsthalle Nürnberg and London, Whitechapel Art Gallery.
Maastricht, Bonnefantenmuseum, Peter Doig: Charley’s Space, 2003-2004, p. 136 (illustrated in colour, p. 81; dated 1994). This exhibition later travelled to Nîmes, Carré d'Art - Musée d'art contemporain de Nîmes.
London, Tate Britain, Peter Doig, 2008-2009, pp. 30 and 156 (illustrated in colour, p. 65; dated 1994). This exhibition later travelled to Paris, Musée d’Art Moderne de la Ville de Paris and Frankfurt, Schirn Kunsthalle Frankfurt.
S. Watson (ed.), Peter Doig, exh. cat., Vancouver, Morris and Helen Belkin Art Gallery, 2001, p. 11 (dated 1994).
R. Shiff and C. Lampert (eds.), Peter Doig, New York 2011, p. 29 (illustrated in colour, p. 28; dated 1994).
F. Outred (ed.), Peter Doig: Cabins and Canoes, The Unreasonable Silence of the World, exh. cat., Beijing, Faurschou Foundation, 2017, p. 273 (illustrated in colour, pp. 100-101; dated 1994).
